Hollywood Studios Year-by-Year – Universal – 1933: THE INVISIBLE MAN & COUNSELLOR-AT-LAW
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For this Universal 1933 Studios Year by Year episode we commit the sacrilege of trashing a James Whale movie, The Invisible Man, which is also Claude Rains' first major screen role, albeit mainly as a voice. A ranting, irascible voice in a movie with very little evidence (in our irresponsible opinion) of Whale's voice. But then we turn to a movie bearing a strong directorial imprint, William Wyler's Counsellor at Law, which contains probably John Barrymore's best screen performance. We discuss Wyler's contested status among auteurists and the multiple layers of Elmer Rice's adaptation of his play about early 20th century American antisemitism and how to live with the knowledge of one's moral compromises. And in Fear and Moviegoing in Toronto, we took in a Valentine's weekend screening of Sternberg's The Devil Is a Woman at the TIFF Lightbox cinematheque, giving us another opportunity to grapple with its ironies and opacities.
Time Codes:
0h 00m 25s: 1933 and Universal
0h 03m 51s: THE INVISIBLE MAN (1933) [dir. James Whale]
0h 19m 21s: COUNSELLOR-AT-LAW (1933) [dir. William Wyler]
0h 48m 06s: Fear and Moviegoing in Toronto: Josef von Sternberg's The Devil is a Woman (1935) at TIFF Lightbox
Studio Film Capsules provided by The Universal Story by Clive Hirschhorn
Additional studio information from: The Hollywood Story by Joel W. Finler
1933 Information from Forgotten Films to Remember by John Springer
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* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s
* Intro Song: "Sunday" by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)
* Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating.
* Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!
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