Rachel Whiteread | Embankment

Rachel Whiteread is a prominent British sculptor and a leading figure among the Young British Artists (YBAs) who rose to prominence in the late 1980s. Unlike the provocative work of her peers, Whiteread’s art is characterized by a quiet, minimalist focus on "negative space"—the empty air inside or around everyday objects. By casting these voids in industrial materials like plaster, resin, and concrete, she transforms the mundane into the monumental. Her breakthrough work, Ghost (1990), involved casting the entire interior of a Victorian living room, effectively turning a familiar domestic space into a haunting, solid artifact that captures subtle details like light switches and wallpaper textures in reverse. In 1993, Whiteread became the first woman to win the Turner Prize, solidified by her controversial public sculpture, House, where she cast an entire three-story Victorian home in London. Her career continued with significant international commissions, including the Judenplatz Holocaust Memorial in Vienna, also known as the Nameless Library, which serves as a poignant tribute to victims through the imagery of inverted, unreadable books. One of her most massive undertakings was Embankment (2005) at the Tate Modern, consisting of 14,000 translucent polyethylene boxes. Inspired by a box found while clearing her mother’s home, the installation explored themes of memory and the "unforgettable forgotten," utilizing the box as a universal symbol for how humans store and organize their histories. Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [e-mail] Learn more about your ad choices. Visit megaphone.fm/adchoices