Arcadia
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Tom Stoppard
Tom Stoppard's Arcadia merges science with human concerns and ideals, examining the universe's influence in our everyday lives and ultimate fates through relationship between past and present, order and disorder and the certainty of knowledge. Set in an English country house in the years 1809-1812 and 1989, the play examines the lives of two modern scholars and the house's current residents with the lives of those who lived there 180 years earlier.
An L.A. Theatre Works full cast performance featuring:
Kate Burton as Hannah
Mark Capri as Chater
Jennifer Dundas as Thomasina
Gregory Itzin as Bernard Nightingale
David Manis as Captain Brice
Christopher Neame as Noakes/Jellaby
Peter Paige as Valentine
Darren Richardson as Augustus
Kate Steele as Chloe
Serena Scott Thomas as Lady Croom
Douglas Weston as Septimus
Music composed and arranged by John Rubinstein.
Includes an interview with Steven Strogatz, the author of Nonlinear Dynamics and Chaos and professor at the Cornell University School of Theoretical and Applied Mathematics.
Directed by John Rubinstein. Recorded at The Invisible Studios, West Hollywood, in December of 2008.
Arcadia is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world.
©2009 L.A. Theatre Works (P)2009 L.A. Theatre WorksLos oyentes también disfrutaron:
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Cultural shifts and imagination
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Choas theory, literture, geometry and more explored with wit and style
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Great play
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That said, assuming you can forgive certain characters their shortcomings, the play in some ways works even better now with that awareness, and the ideas put forward carry more weight because of the loss of opportunity.
The cast is what makes this possible. The late Gregory Itzin somehow makes Nightingale more than a misogynist. Kate Burton holds him to account as Hannah with how she speaks as much as what she says. Douglas Weston as Septimus and Jennifer Dundas as Thomasina are the emotional and philosophical heart, because everything they say feels real. Every character, and every actor, delivers a moment that sets them apart.
And the science, and the philosophy that frames the play layer after layer. Tom Stoppard is known for this layering across his plays - Rosencrantz and Guildenstern are Dead; The Real Thing; The Real Inspector Hound; etc. Like the mathematics that are referenced in the play, you can find a number of different patterns in the play itself, feeding back into the concepts the play itself discusses.
I also highly recommend the interview with the Cornell University researcher that follows the production which stirs all of those ideas again.
Notice things now I didn't notice 30 years ago
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Great version of Arcadia
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