A Farewell to Baker Street

De: Mark Mower

Narrado por: Alan Weyman

There is always room in the world for more gripping tales about the exploits of the inimitable Sherlock Holmes and the redoubtable Dr. Watson. Here is a collection of five previously unknown cases from the astonishing career of the consulting detective and his ever-loyal partner. "An Affair of the Heart" demonstrates the critical interplay between the two men which made their partnership so memorable and endearing. "The Curious Matter of the Missing Pearmain" is a classic locked-room mystery, while "The Case of the Cuneiform Suicide Note" sees Dr. Watson using his expert knowledge in helping to solve the mystery surrounding the death of an academic. In "A Study in Verse", the pair assists the Birmingham City Police in a complicated case of robbery, which leads them toward a new and dangerous adversary. And to complete the collection, we have "The Trimingham Escapade", the very last case the pair enjoyed together, which neatly showcases the inestimable talents of Sherlock Holmes. All of these tales are designed to contribute in some small part to the lasting memory of two extraordinary men who once occupied that setting we have come to know and love as 221B Baker Street.

©2015 Mark Mower (P)2016 Mark Mower

HORRIBLE NARRATOR

The narration was horrible, narrator even had a speech inpetament, don,t waste your money on this one.

An interesting collection

These are five interesting short stories in the style of the originals, nicely done and enticing. The narrator, IMHO, is not the best, but I still enjoyed this book a lot.

Good collection of stories

Mark Mower presents 5 “previously unknown” Sherlock Holmes stories set in Holmes & Watson’s later years. Good stories set in the ACD style. The narration by Alan Weyman is very good,

latter times

an enjoyable collection of stories...loved them
stories of their latter years...hope for more of these tales

Great stories

While I very much enjoyed the stories themselves, the slight speech impediment of the narrator (in which R sounds more like W) was sometimes pronouced and quite distracting.