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Slaves to Fashion is a cultural history of the black dandy, from his emergence in Enlightenment England to his contemporary incarnations in the cosmopolitan art world. Interpreting performances and representations of black dandyism in particular cultural settings and literary and visual texts, Monica L. Miller emphasizes the importance of sartorial style to black identity formation in the Atlantic diaspora.

In Fear No Pharaoh, journalist and historian Richard Kreitner sets this question at the heart of the Civil War era. Using original sources, he tells the intertwined stories of six American Jews who helped to shape a tumultuous time, including Judah Benjamin, the brilliant, secretive lawyer who became Jefferson Davis's trusted confidante; Morris Raphall, a Swedish-born rabbi who defended slavery as biblically justified; and Raphall's rival rabbis—the celebrated Isaac Mayer Wise, who urged Jews to stay out of the slavery controversy, and David Einhorn.

This monumental biography by David Levering Lewis—eight years in the research and writing—treats the early and middle phases of a long and intense career: a crucial fifty-year period that demonstrates how W.E.B. Du Bois changed forever the way Americans think about themselves. William Edward Burghardt Du Bois—the premier architect of the civil rights movement in America—was a towering and controversial personality, a fiercely proud individual blessed with the language of the poet and the impatience of the agitator.

The author, one of the foremost scholars on Africa, fought to legitimize African history for more than 60 years. This book finally uncovers the tumultuous life of this great figure. Through a series of autobiographical essays, Clarke looks back on his lifelong struggle to restore African history to its proper place in the context of world history.

Make It Ours is at once a remarkable biography of a singular creative force and a powerful meditation on fashion and race, taste and exclusivity, genius and luxury. With access to Abloh's family, friends, collaborators, and contemporaries, and featuring a cast of fascinating characters ranging from visionary Black designers like Ozwald Boateng to Abloh's mercurial but critical employer and mentor Kanye West, Givhan weaves a spellbinding tale of a young man's rise amid a cultural moment that would upend a century's worth of ideas about luxury and taste.

2021: As the centennial of one of the nation's worst race massacres approached, citizens of Tulsa faced the prospect with hope and dread. Hope that the anniversary would show Tulsa had changed since that day, when a white mob left the city's thriving African American Greenwood neighborhood a smoldering ruin. Dread that Tulsa's faults would be exposed as never before, its racism reinforced rather than mitigated. The anniversary was even more fraught than expected.

This revised edition of Ar'n't I a Woman? reviews and updates the scholarship on slave women and the slave family, exploring new ways of understanding the intersection of race and gender and comparing the myths that stereotyped female slaves with the realities of their lives. Above all, this groundbreaking study shows us how black women experienced freedom in the Reconstruction South—their heroic struggle to gain their rights, hold their families together, resist economic and sexual oppression, and maintain their sense of womanhood against all odds.

In this pioneering study of the long and arduous struggle for civil rights in South Carolina, longtime journalist Claudia Smith Brinson details the lynchings, beatings, bombings, cross burnings, death threats, arson, and venomous hatred that black South Carolinians endured—as well as those who risked their lives for equality. Through extensive research and interviews with more than 150 civil rights activists, Brinson chronicles twenty pivotal years of petitioning, preaching, picketing, boycotting, marching, and holding sit-ins.

Author and TV commentator Lawrence Otis Graham, one of the nation's most prominent spokesmen on race and class, spent six years interviewing the wealthiest black families in America. He includes historical photos of a people that made their first millions in the 1870s. Graham tells who's in and who's not in the group today with separate chapters on the elite in New York, Los Angeles, Washington, Chicago, Detroit, Memphis, Atlanta, Philadelphia, Nashville, and New Orleans.

Prioritize your peace of mind. Black women deal with devaluing challenges too often. Yet there can be a way to face them head-on while helping yourself heal and grow stronger. That is why I Came to Slay is a motivational book for black women you won't want to miss. Covering strategies on conquering boundaries, harmful labels, and more, you'll find many ways to take action and emerge victorious.

The Conjuring of America tells the epic story of conjure women, who, through a mix of spiritual beliefs, herbal rituals, and therapeutic remedies gave rise to the rich tapestry of American culture we see today. Feminist philosopher, Lindsey Stewart, tells the stories of Negro Mammies of slavery; the Voodoo Queens and Blues Women of Reconstruction; and the Granny Midwives and textile weavers of the Jim Crow era.

Dubbed the “joy goddess of Harlem’s 1920s” by poet Langston Hughes, A’Lelia Walker, daughter of millionaire entrepreneur Madam C.J. Walker and the author’s great-grandmother and namesake, is a fascinating figure whose legendary parties and Dark Tower salon helped define the Harlem Renaissance. After inheriting her mother’s hair care enterprise, A’Lelia would become America’s first high profile black heiress and a prominent patron of the arts.

Written from both historical and cultural perspectives, Salvation takes an incisive look at the transformative power of love in the lives of African Americans. Whether talking about the legacy of slavery, relationships and marriage in Black life, the prose and poetry of Martin Luther King, Jr., James Baldwin, and Maya Angelou, the liberation movements of the 1950s, 60s, and 70s, or hip hop and gangsta rap culture, hooks lets us know what love’s got to do with it.

Why do so many Black Americans—whether privileged or poor, urban or suburban, young or old—live in a state of chronic anxiety, fear, and shame? Rock My Soul: Black People and Self-Esteem breaks through collective denial and dares to imagine a more liberatory framework for understanding “self and identity in a world where loss is commonplace.” With visionary insight, hooks exposes the underlying reality that it has been difficult—if not impossible—for our nation to create a culture that promotes and sustains healthy self-esteem.

In this latest book in Beacon’s award-winning ReVisioning History series, Professors C. Riley Snorton and Darius Bost unearth the often overlooked history of the Black queer community in the United States. Arguing that both gender and sexual expression have been an intimate and intricate part of Black freedom struggle, Snorton and Bost present historical contributions of Black queer, trans, and gender non-conforming Americans from slavery to the present day to highlight how the fight against racial injustice has always been linked to that of sexual and gender justice.

A groundbreaking look at how Black visionaries—from Wall Street to Lagos and beyond—are reimagining capitalism to benefit the needs of Black people and, ultimately, everyone.

In this final magisterial volume, fifteen years in the research and writing, David Levering Lewis stunningly recreates the second half of W.E.B. Du Bois’s charged and brilliant career.

In Nobody Can Give You Freedom, Kehinde Andrews draws on the speeches and writings of Malcolm X to upend the conventional understanding of Malcolm—from his alleged misogyny to his putative proclivity for violence. Instead, Andrews argues that Malcolm X embraced equality across genders and foresaw a more inclusive approach to Black liberation that relied on grassroots efforts and community building.

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms.

Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.