Using examples from Aldus Huxley’s Brave New World, George Orwell’s 1984, and the writings of Neil Postman, screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) examines the utopia/dystopia binary and what it means live in the modern social media landscape.

Every writer learns the basics elements of storytelling. Whether it’s The Heroes Journey, the Three Act film structure, or even the performing of a magic trick it’s all there. Even when telling a simple joke. Using these three basic elements, screenwriter Javier Grillo-Marxuach (Lost, The Witcher, Medium) breaks down the anatomy used for so many of the stories we love, from Raiders of the Lost Ark, to Gone With the Wind.

Sometimes we love a work of art, not in spite of it flaws, but because of them. And a wish that that work of art could be better. Screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) peers through the lens of the ill-fated Disney science fiction epic The Black Hole to show us what we can learn from a flawed gem as it waxes into nostalgia and why it has such a subtle hold on our hearts.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

Once upon a time, in the magical land of San Francisco, there lived a not-so-ordinary girl named Laurel Pettigrew. She was supposed to be the Chosen One. The plan was simple: She would vanquish the great evil Tybus in an epic battle. But destiny had other ideas, and Laurel's performance in the whole heroics department was a colossal flop. Now, instead of being a legendary hero, Laurel's the resident pariah of the magic realm. And what’s worse, the dark wizard Tybus swooped in, took over the realm, and forced all supernatural creatures to live under his tyrannical rule.