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Orestes, Sohn des Agamemnon und der Klytemnästra, kehrt nach Hause zurück, um den ruchlosen Mord an seinem Vater zu rächen, den seine Mutter und ihr Geliebter Ägisthos bei Agamemnons Rückkehr begangen haben. Dort trifft er seine Schwester Elektra, die trauernd Daheimgebliebene. Er teilt ihr mit, dass das Orakel Apollons ihm den Befehl gegeben habe, seinen Vater zu rächen. Nach der Tat erscheinen ihm die grauenhaften Erinnyen – die nur er sehen kann. Verzweifelt will er nach Delphi fliehen, um bei Apollo Schutz und Fürsprache zu erhalten; schließlich hat dieser ihn ja zur Tat angeleitet.

This is the story of the Mayan Popol Vuh, “the book of the woven mat,” one of the only epics indigenous to the Americas. Originally sung and chanted, before being translated into prose—and now, for the first time, translated back into verse by Michael Bazzett—this is a story of the generative power of language. A story that asks not only Where did you come from? but How might you live again? A story that, for the first time in English, lives fully as “the phonetic rendering of a living pulse.”

Classical stories about women who wield power, from the Amazons to Dido to Cleopatra.

Through passages of narrative, deeply researched explanation and beautifully illustrated by the author with thirty paper-cutouts, Saints retells stories that enjoyed centuries of popular appeal among medieval Christians but were suppressed when their shrines were destroyed. These stories embraced the darkness of their heroes: sinister saints who sacrificed their followers and women who communed with geese, saints whose decapitated heads spoke to wolves.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

Bad Girls of Ancient Greece contains profiles of wayward wives, mad mothers, scandalous sisters and damsels, that quite frankly, caused others A LOT of stress in the ancient world. With the ever-growing popularity of mythological retellings, Lizzy Tiffin has written THE guide to all of the baddies of ancient Greece. This book stands as a reminder that us women really have been badasses since the start.