Coming Soon

We know the European story from diaries, journals, and letters. For the first time, this is the other side. Who were the people watching the Endeavour sail by? How did they understand their world, and what sense did they make of this strange vision? And what was the impact of these first encounters with Europeans? The answers lie in tales passed down from 1770 and in truth-telling of the often more brutal engagements that followed.

In the tradition of Chloe Hooper (The Tall Man) and Helen Garner (This House of Grief and Joe Cinque's Consolation), Rick Morton tells a powerful and emotionally compelling story of one of the most shocking, large-scale failures of the Australian government, a historic and appalling political tragedy, which clearly displayed the wide-reaching and systematic contempt that a government had for its most vulnerable citizens.

In the tradition of Chloe Hooper (The Tall Man) and Helen Garner (This House of Grief and Joe Cinque's Consolation), Rick Morton tells a powerful and emotionally compelling story of one of the most shocking, large-scale failures of the Australian government, a historic and appalling political tragedy, which clearly displayed the wide-reaching and systematic contempt that a government had for its most vulnerable citizens. The saga of robodebt tells us deeply disturbing things about the country we are, the people we are, the bureaucrats we have (both good and bad) and the government that was.

Australia’s war tales could be said to be the closest thing we have to sacred stories: ANZAC, Simpson and his donkey, Changi, the wronged diggers in Vietnam, Ben Roberts-Smith. Millions of dollars are spent enshrining these stories in the War Memorial in Canberra and the Australian National Memorial in France, amongst others. But did what we’re celebrating actually happen? In this book, award-winning author and historian Mark Dapin shows that often the reality was completely different from the myth – and that by celebrating the wrong people, we often forget about the real heroes.

Beginning at a love hotel by Japan’s Inland Sea and ending by a river in Tasmania, Question 7 is about the choices we make about love and the chain reaction that follows. By way of H. G. Wells and Rebecca West’s affair through 1930s nuclear physics to Flanagan's father working as a slave labourer near Hiroshima when the atom bomb is dropped, this daisy chain of events reaches fission when Flanagan as a young man finds himself trapped in a rapid on a wild river not knowing if he is to live or to die.