What the F-- Was My New Year Resolution Again?
If your "new year, new you" pledge is ancient history, get back on track by embracing the trend of light-heartedly titled, but seriously no-nonsense self-help books.
If your "new year, new you" pledge is ancient history, get back on track by embracing the trend of light-heartedly titled, but seriously no-nonsense self-help books.
Hear us geek out with the award-winning author of the stunning 'Lincoln in the Bardo,' whose audiobook boasts the largest, most star-studded cast to date.
What an entrance! These are the works by first-time novelists that have Audible's listeners and editors all aflutter.
In Audible’s new series ‘Sounds Like America,’ Roy Wood, Jr. and other comedians find the funny in our great divides.
Books by and about some of the world's most inspiring women, in a range of occupations from athlete to soldier to mother to president. They're introduced by Audible's own Christina Harcar, who leads our peer-mentoring group Women@Audible.
Audible’s creative team had three weeks to put together a series of ads for the biggest awards night in Hollywood. Senior Creative Director Kari Niles' tale of the rip-roaring journey to get there is one for the storybooks.
"Weather" you want to embrace the winter or escape it, there's a listen here to plunge you into snow or sun.
China’s sci-fi authors aren’t like their Asian-American counterparts—except that both are racking up awards and serious fans.
Audible created the Christopher Doheny Award, which honors unpublished writers who brave the subject of serious illness.
The comedian, host, and “Wait Wait Don’t Tell Me” veteran gets down and dirty with best-selling romance authors and their biggest fans.
In her memoir, Justice Ginsburg’s own words reveal a determination to fix the world, however long it takes.
Author David Hewson and narrator Richard Armitage returned to Audible Studios for an in-depth discussion about their extraordinary new take on Shakespeare's classic love story, created exclusively for audio. They shared perspectives on adapting the Bard's work, why Juliet should take top billing, and why narration is a performance.