Maggie Nelson

The Red Parts is a memoir, an account of a trial, and a provocative essay that interrogates the American obsession with violence and missing white women....

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009’s Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied...

An expansive, exhilarating work of criticism by one of the most significant writers of our day. So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our...

Today both reality and entertainment crowd our fields of vision with brutal imagery....

Since 2009, when it first published, to today, Bluets has drawn scores of readers and listeners with its surprising insights into the emotional depths that make us most human - via 240 short pieces, at once lyrical and philosophical, on the color blue....

A genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language....

A keen, ardent celebration of unbridled female ambition in the work of Taylor Swift and Sylvia Plath In The Slicks, Maggie Nelson positions culture-dominating pop superstar Taylor Swift and feminist cult icon Sylvia Plath as twin hosts of the female urge toward wanting hard, working hard, and...

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent.

Libertà è fare quel che si vuole. Libertà è non calpestare la libertà altrui. Libertà è non avere leggi. Libertà è piegarsi come un giunco...