In 2017, New Zealand, an American billionaire agrees to purchase a piece of land adjacent to a national park whose land contains undisclosed riches. He deceives his way into the graces of the middle age couple on the other side of the agreement. All goes well, until the leader of a gardening collective, whose members plant illegally in public lands, is given funding by the American to expand her organization and invited to plant on the land he has allegedly bought. What ensues for all parties involved is a reckoning long time in the making.
A novel in three parts, with an all-knowing narrator, and taking Shakespeare’s tragedy of Macbeth as a central theme, Birnam Wood is an imaginative eco-thriller that is parts a capitalism indictment and environmental manifesto wrapped into one verbose narrative that goes on about moral and philosophical arguments for three quarters of the book, at least; at a 426-page-count, it feels denser than it has any right to be… Fortunately, the last stretch is non-stop action so gripping that raises the overall rating one star higher.
The parallels with Macbeth are inescapable: Robert Lemoine standing for the greedy, power hungry, murderous king who thinks himself untouchable, until Birnam Wood—in this instance the gardening collective, most of whose idealistic members are unknowingly breaking the law—come near Lemoine’s pet project with devastating consequences. It begs the question of who stands for Lady Macbeth, is it Mira, or Shelley? For the former lies her way into an intricate association with the billionaire, misleading her associates in the process, while the latter accepts the consequences of her actions and profits from them.
In essence, Birnam Wood is heavy reading that, luckily, proves rewarding in the end. It’s realistic, topical, and manages to adhere to the true spirit of the source material while breaking new ground in the process.
