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Bonnie Brody
TOP 1000 REVIEWERVINE VOICE
5.0 out of 5 stars Existentialism, Santa, and Human Frailty
Reviewed in the United States on August 23, 2016
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Looking for existential angst? Well, look no further. The protagonist of Arnaldur Indridason's Icelandic mystery series, Inspector Erlendur, is existentially bogged down with baggage galore. He lives alone in a self-described 'hole' that is littered with take-out boxes, books, and a room filled with nostalgic items from his dead parents' farm house. He looks everywhere for the vestiges of his dead brother whose death he feels responsible for when he was ten years old. He sees the depths of ruin in the people he investigates and quite frequently they mirror his own demons. Unable to face Christmas alone, he is staying at a big hotel that has no heat in his room.

This book has several narrative lines. The main mystery is about a hotel Santa who is found murdered in his basement room with his pants down and a condom on, stabbed many times. As Erlendur investigates, no one admits knowing this man who has lived rent free in the hotel for over 20 years. He was once a child prodigy, singing soprano so well that his father hoped he'd make it into the Vienna Boy's Choir. Unfortunately, his voice changed prematurely and he became a laughing-stock at his supposedly break-out concert.

Another story line takes us to a hospital where a young boy, badly physically abused, refuses to tell who the perpetrator was. Erlandur's colleague believes it is the boy's father despite the boy wanting to be returned to his father's custody.

Erlandur has been divorced for over 20 years. At the time of his divorce, he had two children who he never saw afterwards until recently. Eva Lind, his daughter, is a recovering drug addict and prostitute who is having trouble 'holding on' now. She was near death recently, having given birth to a still-born daughter near term and ending up in a coma. The infant died because Eva Lind's drugs toxified her system and Eva Lind can't forgive herself. She has looked up her father and is trying to develop a relationship with him.

Erlandur is living in self-hatred with survivor's guilt because of an incident that occurred in his childhood. When he was ten, he, his father and his younger brother went camping and were caught in a blizzard. Erlandur had been holding on to his brother's hand but unintentionally let it go. His brother's body was never found and Erlandur is tormented about why he lived while his brother died. The event sent his father into a lifelong depression and has weighed Erlandur down ever since. He rarely talks about this incident but thinks about it regularly, even returning to eastern Iceland where his brother died, and searches for his body.

The mystery of the Santa is very interesting but what makes this book stand out is the quality of the writing and the humanity of the characters. I have already started another book in this series and can hardly put it down.
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Persephone
4.0 out of 5 stars The Best of the Series
Reviewed in the United States on March 20, 2017
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I am a big fan of Arnaldur Indridason. I found this particular book to be the most interesting of the series because of the backstory of the choirboy and the way the author was able to portray that world. Not only is Iceland an exotic locale for most readers, but the world of boy sopranos and child stars is an exotic locale of its own.

My one criticism of the series is the constant dwelling on Detective Erlender's guilt and grief over the death of his brother, which happened many years earlier. No matter how searing, it does not ring true that he would be tortured by it constantly even after all that time. Plus, the subplot about his drug addict daughter is not believable---that is, she as a character is not believable. I wonder if the author did not invent these two ponies so that they could be trotted out whenever the reader needed a break from the police procedural. However, they are tedious, and since Erlendur is portrayed as an intelligent and sensitive man, it is not likely he would have completely abandoned his children. In "Voices" he tries to link it to his brother's death but that really makes no sense. And also, people don't become drug addicts because their parents get divorced, or even if they get divorced and their father disappears, so that explanation for the daughter's addiction doesn't fly.
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Bobby D.
4.0 out of 5 stars A well written "who done it"
Reviewed in the United States on May 20, 2015
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This is the third book in the Inspector Erlendur series and I am trying to read them in order (8 more to go with a new prequel just published). Although I am not a great fan of mysteries I do enjoy one with more depth and character study than you normally find in many series. Indridason is a very good writer and Iceland a great backdrop to his stories.
I found this third book the weakest of the three I have read but by no means a bad book. It’s just more of a “who done it” that the first two books in the series. You see here Erlender is confronted with finding the motive and killer of a hotel Santa Clause found stabbed to death in his Santa suit with his pants down (I’ll let you fill in the blanks.) He slowly goes through the list of suspects as we get a well-developed back story of the murder victim. It appears he was a great choir boy singer up until the age of 12 when his voice changed. Recording of his young voice are now much sought after by collectors.
Several parallel stories are included as well as building on the Erlendur’s character as we learn of his brother’s going missing during there childhood. The impact of this and his relationship with his Father are learned. There are numerous other Father/Son and Sibling relationship conflicts in the books story line. I think it comes down to people growing into their own voice.
The conclusion is good and it makes sense and somewhat predictable, at least in hindsight. I read it at the beach and would consider this a good beach read. This is a well written “who done it” set at Christmas in cold, dreary Reykjavik, Iceland.
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Top reviews from other countries

Rosamund S.
2.0 out of 5 stars Disappointing. Can’t believe this was written by the same author as the previous two.
Reviewed in the United Kingdom on May 8, 2020
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I was hooked when I first read Jar City and was not at all disappointed when I continued to read Silence of the Grave. However, this one is so completely different, I could hardly believe it was written by the same author. Instead of that atmospheric setting, the mysteries revolving around something, the plot-twists, the typical elements you find in the previous books, they are absent here. The storyline is boring and I find certain parts offensive even. The set of characters are awful and the setting a little too unimaginative. The pace is slow, with the lack of suspense. Maybe it’s just my taste, but the elements that I love about Indridason’s work are just not here. I will continue to read the series, as the other two are just absolutely brilliant, that I’m hoping this one is just an odd one out.
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Kindle Customer
5.0 out of 5 stars The 'domestic' issues enhance the story
Reviewed in the United Kingdom on August 7, 2020
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Ordinarily I find 'filling a story' with drivel about the lead character's domestic issues , incredibly tiresome> In this case however his history as a boy and his current disparate family situation all seems to bring this particular character to life
A good and unusual story line - very well crafted
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Claire
5.0 out of 5 stars Twists and turns
Reviewed in the United Kingdom on July 25, 2018
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Seemingly unsolvable, but kept guessing to the end, this story has very unusual subjects, and I did not guess ‘whodunit’ until right at the end. Christmas in Iceland, drugs, sex workers, child stars, estranged families and desperate people are all unsentimentally portrayed, yet expertly rendered by the author.
Onto the next!
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J. Milton
5.0 out of 5 stars Strong character development within the confines of a hotel
Reviewed in the United Kingdom on May 28, 2011
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Whilst the first and second in the Reyavik Murder Mystery Series,  Jar City (Reykjavik Murder Mysteries 1)  and  Silence Of The Grave (Reykjavik Murder Mysteries 2) , had good, yet slow burning plots with lots of detail about the Icelandic landscape, Voices strays into different territory altogether - with good results.

The plot is based around Erlendur, Sigurdur Oli and Elinborg attempting to solve the murder of a former Icelandic child star who, now an adult, has been found murdered in compromising circumstances in a basement room of a Reykjavík hotel. The story, as gripping and original as the two previous in the series, doesn't venture out into the landscape of Iceland like the previous two novels, but rather stays, for the most part, inside the confines of the hotel. This allows for character development, which was weak in the first and improving in the second, to take centre stage, which benefits those who are fans of the likes of Mankell, Nesbo and Larsson as we start to get more than a basic idea of why Erlendur lives a dysfunctional life, like so many of the main characters in this genre.

Overall, a good read that builds upon the strong start made in Jar City and Silence of the Grave.
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Kaffmatt
4.0 out of 5 stars realistic police investigation
Reviewed in the United Kingdom on January 1, 2015
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I'm so glad I found the Reykjavik Murder series. The books go from strength to strength. This book involves the investigation into the killing of a hotel doorman. As with the first two books of the series, things are not straight forward and there is more than one suspect. As an aside one of the main investigating team- Elinborg, has an ongoing child abuse case to deal with. This detail is a bit of a 'red herring' and kept me thinking.
More of the main character's past life and circumstances are revealed-Erlendur- and he is human, with a troubled upbringing. He 'comes across' as a thorough, caring police officer.
Read this and enjoy.
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