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Few novels have had as profound an impact on American culture as On the Road. Pulsating with the rhythms of 1950s underground America, jazz, sex, illicit drugs, and the mystery and promise of the open road, Kerouac’s classic novel of freedom and longing defined what it meant to be “beat” and has inspired generations of writers, musicians, artists, poets, and seekers who cite their discovery of the book as the event that “set them free”.

First published in 1958, a year after On the Road put the Beat Generation on the map, The Dharma Bums stands as one of Jack Kerouac's most powerful and influential novels. The story focuses on two ebullient young Americans - mountaineer, poet, and Zen Buddhist Japhy Ryder, and Ray Smith, a zestful, innocent writer - whose quest for Truth leads them on a heroic odyssey, from marathon parties and poetry jam sessions in San Francisco's Bohemia to solitude and mountain climbing in the High Sierras.

In this 1962 novel, Kerouac's alter ego, Jack Duluoz, overwhelmed by success and excess, gravitates back and forth between wild binges in San Francisco and an isolated cabin on the California coast where he attempts to renew his spirit and clear his head of madness and alcohol. Only nature seems to restore him to a sense of balance. In the words of Allen Ginsberg, Big Sur "reveals consciousness in all its syntactic elaboration, detailing the luminous emptiness of his own paranoiac confusion". 

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.

Though Jack Kerouac began thinking about the novel that was to become On the Road as early as 1947, it was not until three weeks in April 1951, in an apartment on West 20th Street in Manhattan, that he wrote the first full draft that was satisfactory to him.

Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences. Listeners will also find in these works the source of Kerouac’s spontaneous prose style.

Written seven years before The Town and the City officially launched his writing career, The Sea Is My Brother marks the pivotal point at which Kerouac began laying the foundations for his pioneering method and signature style. The novel chronicles the misadventures of two seamen who at first seem different but are really two sides of the same coin: 27-year-old Wesley Martin, who “loved the sea with a strange, lonely love,” and William Everhart, an assistant professor of English at Columbia College.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

Written over the course of three days and three nights, The Subterraneans was generated out of the same kind of ecstatic flash of inspiration that produced another one of Kerouac’s early classics, On the Road. Centering around the tempestuous romance and breakup of Leo Percepied and Mardou Fox—two denizens of the 1950s San Francisco underground—The Subterraneans is a tale of dark alleys and smoky rooms, of artists, visionaries, and adventurers existing outside mainstream America’s field of vision.

More than 60 years ago, William S. Burroughs and Jack Kerouac, two novice writers at the dawn of their careers, sat down to write a novel about the summer of 1944, when one of their friends killed another in a moment of brutal and tragic bloodshed. Alternating chapters, they pieced together a hard-boiled tale of bohemian New York during World War II, full of drugs and obsession, art and violence.

The classic and fascinating story of Jack Kerouac, "King of the Beats" and American literary legend, recorded through the voices of his friends and lovers. Authors Barry Gifford and Lawrence Lee retraced Kerouac's life at home and on the road and talked with the prophets, musicians, poets, socialites, and working people who knew him. Some are famous (Allen Ginsberg, Gore Vidal, William Burroughs); some are not (Jack's boyhood buddies, his lovers, his barroom companions). All have contributed to a remarkably vibrant, riveting portrait of a life.

Sal Paradise, a young innocent, joins his hero Dean Moriarty, a traveller and mystic, the living epitome of Beat, on a breathless, exuberant ride back and forth across the United States. Their hedonistic search for release or fulfilment through drink, sex, drugs and jazz becomes an exploration of personal freedom, a test of the limits of the American dream.

Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac’s own birthplace, the dingy factory town of Lowell, Massachusetts. There, Doctor Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack’s fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom.

In The Voice Is All, Joyce Johnson - coauthor of the classic memoir Door Wide Open, about her relationship with Jack Kerouac - brilliantly peels away layers of the Kerouac legend to show how, caught between two cultures and two languages, he forged a voice to contain his dualities. Looking more deeply than previous biographers into how Kerouac's French Canadian background enriched his prose and gave him a unique outsider's vision of America, she tracks his development from boyhood through the phenomenal breakthroughs of 1951 that resulted in the composition of On the Road.

On the Road is the classic story of two such characters: Sal Paradise and Dean Moriarty, who set off on an odyssey through mid-century underground America, fueled by jazz, sex, drugs, mystical philosophy, and a limitless passion for experience.

An underground legend by the time it was finally published in 1972, Visions of Cody captures the members of the Beat Generation in the years before any label had been affixed to them, with Kerouac's trademark appreciation for the ecstatic and ephemeral moments of life.

Two friends in 1950s San Francisco Bohemia explore Buddhism Zen - hipster style. On the road to finding Dharma, or truth, the story's narrator, Raymond Smith comes to a spiritual roadblock. Smith, based on Kerouac himself, discovers a role model in his friend Japhy Ryder, modeled after the real poet-Buddhist Gary Snyder. This autobiographical novel is one of Kerouac's most popular, and has served as an inspiration to the beat culture, hippies, and dharma seekers since the 1950s.

In his first autobiographical work, Jack Kerouac reveals exhilarating stories of the years he spent traveling, while writing his acclaimed novels. His journeys took him from California deserts crisscrossed by train tracks to the bullfights of Mexico to the Beat nightlife of New York City and across the Atlantic to Paris, Morocco, and London. He also writes about relationship, jobs, and the nature of life on the road. Here are echoes of landscapes that appear in some of his novels, including The Dharma Bums and Desolation Angels.

Originally written in 1955 and now published for the first time in audiobook form, Wake Up is Kerouac's retelling of the life of Prince Siddartha Gotama, who as a young man abandoned his wealthy family and comfortable home for a lifelong searchfor Enlightenment. Distilled from a wide variety of canonical scriptures, Wake Up serves as both a penetrating account of the Buddha's life and a concise primer on the principal teachings of Buddhism.

Originally published in 1965, this autobiographical novel covers a key year in Jack Kerouac’s life—the period that led up to the publication of On the Road in September of 1957. After spending two months in the summer of 1956 as a fire lookout on Desolation Peak in the North Cascade Mountains of Washington, Kerouac’s fictional self Jack Duluoz comes down from the isolated mountains to the wild excitement of the bars, jazz clubs, and parties of San Francisco, before traveling on to Mexico City, New York, Tangiers, Paris, and London.