A brilliant telling of the Brangwen family's 3 generations, before and after the industrial revolution from their small bit of England, and their rise..Show More » from people of the land, to people of culture and worldly knowledge, with moral, spiritual and earthly struggles. Eventually revolving around the granddaughter, Ursula, a 'modern' women of free thought and the challenges that envelope her. It is a story of great passions, misfortunes, loves and agonies, always surrounded by their small place in the world of earthly power. If you love this book as much as I have, 'Women in Love' continues the tale, this time focusing on Ursula's younger sister, Gudrun.
Maureen O'Brien is the best narrator I have, to this point, heard! Remarkable!
This D.H. Lawrence novel, published in 1915, was almost immediately banned as obscene and the first printing of over 1,000 copies were seized and..Show More » burned. It was not available for purchase in Britain for the next 11 years.
No doubt, this book treated sexual desire as candidly as most books theretofore published. While it is relatively mild by today's standards over a century out, it handled sensuality in a way that is true to life as a natural and spiritual force in humans, the passion to consummate the desire for intimacy and the love of another.
Frankly, this is one of the only literary novels that animated my appetite for affections, with passages such as:
"His body trembled as he held her. He loved her till he felt his heart and all his veins would burst and flood her with his hot, healing blood. He knew his blood would heal and restore her. ... His head felt so strange and blazed. Still he held her close, with trembling arms. His blood seemed very strong, enveloping her. And at last she began to draw near to him, she nestled to him. His limbs, his body, took fire and beat up in flames. She clung to him, she cleaved to his body. The flames swept him, he held her in sinews of fire. If she would kiss him! He bent his mouth down. And her mouth, soft and moist, received him. He felt his veins would burst with anguish of thankfulness, his heart was mad with gratefulness, he could pour himself out upon her for ever. When they came to themselves, the night was very dark. ... They lay still and warm and weak, like the new-born, together. And there was a silence almost of the unborn. Only his heart was weeping happily, after the pain. He did not understand, he had yielded, given way. There was no understanding. There could be only acquiescence and submission, and tremulous wonder of consummation."
The focus is on three main characters: Tom Brangwen, Anna Brangwen (his Polish adopted daughter who married Tom's nephew, her first cousin by law, not blood) and Anna's daughter Ursula Brangwen. It spans about 65 years from the 1840s to 1905. Tom married a Polish refugee/widow named Lydia who had a 10-year-old daughter Anna. Tom (a farmer) and Lydia as well as Anna and Will (a wood craftsman) are happy enough to live in Nottinghamshire in the east Midlands of England. Yet, as time goes by, England becomes more industrialized and urbanized, and Ursula seeks an education to become a teacher.
A little over half of the novel covers the first 2 generations, while the remainder focuses on Ursula and her passions. Ursula falls in love with Anton Skrebensky, a British soldier of Polish ancestry, but he is conscripted to go to Africa.
"She turned, and saw a great white moon looking at her over the hill. And her breast opened to it, she was cleaved like a transparent jewel to its light. She stood filled with the full moon, offering herself. Her two breasts opened to make way for it, her body opened wide like a quivering anemone, a soft, dilated invitation touched by the moon."
After Anton's departure, Ursula has a sexual relationship with her female teacher which she breaks off long before Anton's return a few years on. Yet, things are not so clear with Anton. At the book's end, Urusula dreams of a rainbow towering over the Earth:
"She saw in the rainbow the earth's new architecture, the old, brittle corruption of houses and factories swept away, the world built up in a living fabric of Truth, fitting to the over-arching heaven."
The story of Ursula and her sister Gudrun continues in a sequel published in 1920 called "Women in Love," which I intend to read.
D.H. Lawrence is a literary genius. After listening to The Rainbow, the Lost Girl, and Lady Chatterlay's Lover, I positively worship Lawrence. I bui..Show More »lt him a shrine and everything. Kidding aside, Lawrence is deep, cerebral, and emotional. This is life-altering fiction. But not for everyone. Most people won't be able to listen to it. Reading would be better than listening, but I don't think most people would tolerate reading it either.They would think that it drags and is too repetitive and boring. Lawrence is all cerebral emotionality and internal dialogue with very little action. Lawrence is obsessed with using the word "vaguely." Most people would probably say that his vocabulary was stunted and he over-relied on "vaguely" but I believe Lawrence's repetitive and crutch-like overuse and misuse of certain words was purposeful, much in the same way Picasso used blue paint during his "Blue Period." I adore everything Lawrence wrote, but I read the unabridged version of Tolstoy's War and Peace just for fun and thought It was one of the best books I've ever read. If you're like me, you'll love listening to The Rainbow and all of Lawrence's works.
More mature but more cynical view of the relationship between men and women. A little difficult to get into because of the ironic tone and the more u..Show More »npleasant characters but very rewarding as we come to know both the men and women better. The narrator is very good and seems to understand the central women characters. Brilliant prose. Disturbing but thought-provoking ending.