This review originally appeared in my blog The Guilded Earlobe
I have a bit of a reputation as a zombie enthusiast. Maybe it’s because I list..Show More »en to and review a lot of zombie audiobooks. In 2012, so far, I have listened to or read over 35 zombie audiobooks and print books. I assume that most people don’t really read that many, while I am also sure there are many who eclipse me. Yet, my listening and reading of the undead is only a drip in the bucket of what’s available, and my wish list of filled with Zombie titles. Now, I would love to get to them all, and spend hours and hours dedicating myself to the best in zombie fiction, but, honestly, I often suffer from Zombie fatigue. When you read or listen to a lot of zombie novels, it all starts to bleed together. I love tales of the zombie apocalypse, where a ragtag band of survivors come together to try to find safety from the hordes, and these authors try to throw lots of twists, fast zombies, slow zombies, zombie perspectives and even sentient too using zombies, but really, the cores of most zombie apocalypse tales remains remarkably similar. How many different ways can you discuss gaining supplies, finding weapons, and creating a safe haven before it all begins to sound the some. That is, until something special comes along. Occasionally I find a Zombie title that rips me out of my fatigue and surprises me. Two years ago it was Alden Bell’s The Reapers are the Angels, and last year it was Daryl Gregory’s brilliant Raising Stony Mayhall. So far, in 2012 I have experienced a lot of great zombie novels, some quite unique, but none really gave me the reenergizing experience. Then I listened to The Reanimation of Edward Schuett.
I really went into The Reanimation of Edward Schuett pretty cold, only knowing it was about a man who wakes up after years living the life of one of the shambling hordes of undead. The premise itself seemed unique enough where I was initially intrigued. What I discovered is a novel that blends the unique zombie perspective of a novel like Zombie Ohio, with the recovered society motif of Mira Grant’s Newsflesh series, mixing in a liberal dose of the quirkiness of Raining Stony Mayhall, then adds it’s own secret blend of herbs and spices making it the most unique, and perhaps, rewarding zombie experience of the year. From the moments I pressed play, with Edward attempting to wake up and scream, I was enthralled with this story. Edward Schuett was simply an amazing character, no longer really a zombie, and not quite human, plagued with the knowledge of what he was, but not exactly sure what he was becoming. As a simple character study, Edward Schuett would be a brilliant piece of fiction, but add into it a bunch of quirky characters, some intrigue, and a fascinating action filled plot, and it was also a heck of a ripping good yarn. I really loved the world Goodman had created, a post apocalypse world that has moved from a terrorized populace attempting to survive the onslaught of flesh eating humans, to a society full of people either indifferent to, bitter against, or almost sickly amused by their zombiefied brethren. It was interesting to view this world through the eyes of a character who is a bridge between both the old world and new, as well as a bridge between zombies and humans. There is an almost loving tenderness in Edward Schuett’s actions towards zombies, something you rarely see in zombie fiction. Many books remind you often that zombies are your brothers, parents and friends, as a way to emotionally terrorize you, yet at times, Edward Schuett humanizes its zombies to create empathy for them. And don’t worry zombie lit fans, there is plenty of zombie gore, post apocalyptic action and mayhem to keep you moving through those troublesome touching moments. I have listened to a lot of great zombie novels this year, but I think, in the future, when I look back at this year, The Reanimation of Edward Schuett will be the one that sticks out the most to me.
Sometimes when a novel utterly enthralls you, a strong narration can actually enhance the experience. Yet, sometimes, a smart narrator knows that they just need to stay out of the way of the story, and let it do its own sort of magic. To be perfectly honest, nothing about David Letwin’s performance stands out to me. I can’t remember a particular characterization or moment of stylistic pacing and cadence that made this book better. Nor, can I think of a distracting voice, awkwardly paced action segment, or poor narrative decision. Letwin just did his job, read the story, and let the characters and situations pull the reader in. I think this is exactly what this novel needed. I’m sure there is another narrator out there that could have given a better reading, yet, I don’t think it was needed here. Letwin’s reading was solid and straightforward. He added no bells or whistles to the production and none where needed. It’s hard to evaluate a performance like this. This is my first time listening to a novel narrated by Letwin, and I know I will have no problem giving another one of his titles a go.
This is definitely a continuation of the first book so, if you haven't read The Reanimation of Edward Schuett, read that one first. I have to say that..Show More » I was pleasantly surprised. Wasn't sure how the story was going to be strung for another book (much less two), but Mr. Goodman keeps coming up with new twists and this novel is almost as fun as the first. Definitely worth reading if you're a zombie "enthusiast."
This is definitely the weakest book in the series. The twists are not as good. The 'science' is glossed over and does not make any "sense." An..Show More »d yet, I really enjoyed the first two and this one completes the story so I am not sorry I downloaded it. Overall, I'd give the series as a whole four stars (if you are into zombie stories) and this particular installment three.