I want to be very clear about something: VanderMeer is a beautiful writer. I was transported to Area X and remained there for the duration of the sto..Show More »ry. The imagery and psychological development and devolvement... just beautifully done.
That being said: This book is really, really weird. I just finished the book about 20 minutes ago and am still on edge. It is very much a bizarre dreamscape- one that verges into a nightmarescape more than once. In fact most of the book could be classified as slowly being wound tighter and tighter into the surreal. There honestly wasn't anything I would find particularly terrifying or graphic... but I am left feeling disturbed nonetheless.
If you are looking for a classic "beginning/middle/end"... don't listen to this book. If you are looking for a satisfying resolution after listening... don't listen to this book. If you are looking for "Lost" on drugs... this is the book for you.
There are gaps in the story (intentional I am positive), gaps which may be filled in the following two books of the trilogy. I agree with other reviewers thoughts that this could be a stand alone book- in fact I am really intrigued what on earth the other two books are going to be about.
I was not particularly impressed by the narration- quite frankly she put me to sleep a few times with the monotone reading. But, the story carried it through where I might have tossed this into the return queue otherwise.
In closing, that's just about all I can say without doing the unthinkable and putting spoilers in the review (something that continually stuns me when reviewers do on this site).
In Authority, VanderMeer pivots from the first-person journal of the unnamed biologist (read by Carolyn McCormick) which introduced “Area X” in Annihi..Show More »lation to an exploration of a different, though as uncanny and surreal, terrain: the organization which sent her into “Area X” in the first place, the Southern Reach itself. We do see the biologist often in Authority, but it is through the eyes of agent/operative John Rodriguez (aka “Control”), newly appointed acting director of the Southern Reach, interrogating her after her reappearance along with the other survivors of the expedition depicted in Annihilation. Control finds offices in decay and disarray, a shrinking staff divided into factions loyal to the previous director and “lifers” who are in it for the weird science and/or have nowhere else, really, to go. Throughout, Control reports his progress and findings — often couched — to The Voice, a shrouded, mysterious figure known only as a (digitally masked) voice on the phone. The cast of characters here each have layers and motivations — usually inscrutable — of their own: Grace, the assistant director who believes the previous director is still alive; Cheney, the head of the science department; and fellow scientist Whitby, who frequently acts as Control’s guide. I found the Southern Reach in Authority to act as both a metaphor for the many fragments of our own labyrinthine consciousnesses while also a rejection of such abstraction or disaggregation; an organization gone feral after decades of attempting to understand the incomprehensible, having stared too long into the abyss. Meanwhile Control’s expedition into its hierarchies and storage rooms and film archives plays with and against reader expectations: again we must question the reliability of our narrator, of the purpose and use of evidence and rationality in the context of such a narrative in the first place. VanderMeer creates mystery, unease, and an escalation of the compulsion behind this series: what is “Area X”?
Narrated by Bronson Pinchot for Blackstone Audio, the audiobook is, again, fantastic, cementing my feeling that Pinchot is one of the best narrators in the business (from non-fiction like How to Build an Android: The True Story of Philip K. Dick’s Robotic Resurrection to the wide-ranging accents of Tim Powers’ On Stranger Tides and Last Call, to Ray Bradbury’s The Halloween Tree). Pinchot’s characterizations of Grace (annoyed, Southern, mistrustful of Control), Cheney (bombastic, seemingly oblivious), Whitby (hesitant, waffling, couching), linguist Jessica Hsyu, and indeed “Ghost Bird”, the biologist from Annihilation are all spot-on. On the latter it’s really, really interesting to get a third-person perspective on the biologist, who remains a bit flat in affect but with something else waiting underneath. Pinchot also does something a bit subtle in the first chapters: he starts voicing Control’s dialogue with a soft Hispanic accent, which slowly disappears until being read with a neutral accent. Is his identity so quickly swallowed up by the Southern Reach? It’s just one more of the layers-within-layers that draws us ever deeper in. As the sense of unease, of wrongness, of looking where we should not be looking grows (to me drawing connections between the Southern Reach of Authority and the Coburn National Laboratory and Observatory in Robert Jackson Bennett’s American Elsewhere), Pinchot’s narration matches it, tension for tension, finally bursting apart like a puffball mushroom and letting the ideas aloft like spores across the terroir of the transformed landscapes, closing after a novel with a more thriller pacing of half-hour chapters with an extended last chapter three times that length which is impossible to put down. In the end, Authority like Annihilation stands alone; one can read the other without having read (or having to read) the other; reading Authority without Annihilation may if anything add to the mysteriousness at hand, though of course each offers additional layers of context for the other. Also: both novels offer by their final pages a certain closure to dramatic arcs of decision and action, while of course inviting (if not compelling!) further expeditions.
I'm about 1/2 way through Jeff VanderMeer's latest and its a nice continuation of the story on the whole. The performances are just as good as the pre..Show More »vious two novels. The audio production might be the WORST I've ever heard.
Starting off, the sound in warm and rich. But the minute I hit the first edit, I was pulled right out of the story. The difference in the sonic quality between the main bulk of the audio and the retakes is ridiculous. I've been an Audible subscriber for many, many years and have over 400 books in my library and I've never heard anything this inconsistent on this service before.