I am ambivalent about this book. It isn't a bad read - none of Baldacci?s books are. The narrator does an adequate job - Baldacci?s readers always del..Show More »iver well read products. The book's production values are A-One. There are plenty of plot lines and plot twists.
So, what's wrong? It is hard to adequately critique this book - I guess that's why book critics make the big bucks. For me, the problem is mainly one of prior expectations; I greatly enjoy Baldacci?s books, and expected this one to be a knockout -- and it isn't. Were it written by another author I would probably be less disappointed (and probably wouldn't be writing this review).
Some of the book's potential strengths are also its weaknesses. For example, the plethora of plot lines and twists sometimes tumble over each other without always getting resolved -- though, maybe they are, but with so many concurrent elements I might have not noticed the resolution.
I could go on with similar types of nit-picking, but, instead will settle on the following: Were Tennessee Williams alive and writing today, he might have written something like this book. Set in the South (Virginia will always be the south for many), mixes characters both smarmy and virtuous, who are rich, ex-rich, never rich, and never will be rich. It has lots of earthy language with enough epithets to satisfy any reader. There are elements of adultery, perjury, divorce, sexually transmitted disease, whores both in and out of their houses, quasi-incest, multi-target love affairs, seduction, and seduction rebuffed, big houses, horses and the riding of same, drugs, murders, serial killing, requited and unrequited love, and lots of characters with southern accents who are at opposite ends of the decorum measuring stick (i.e., good guys and evil ones).
Alas, though multiple forms of desire pervade the book, there ain't no street cars.
Is worth a read? Sure. However, if you aren't able to read the book, it will be no great loss.
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