Crossover starts with a very interesting premise and begins with some real promise as Cassandra, an android, assumes a new identity and tries to start..Show More » a new life as a civilian in a new society rather than as the soldier she has been. However, just as the story starts to roll out this idea of an android created to be a warrior who has philosophical problems with the war and wants to pursue normal human relationships, work a civilian job, and visit art museums, that whole story abruptly ends. Cassandra is captured and co-opted by her enemy and the entire remaining book (all but the first chapter) is unnatural dialog, incoherent political ruminations, and ridiculous sexual discussions/thoughts (although very little actual sex), and a few good fight scenes that Cassandra inevitably wins. The book would have put me to sleep if it weren't for how very aggravating Joel Shepherd's depiction of adult women is. Cassandra is an engineered humanoid designed to be the ultimate of the HK series (hunter-killer) so my assumption would have been that an android designed to be a warrior wouldn't have any inclination for sex. However, I could buy into Shepherd giving his androids a sex drive (his world after all), but for the fact that Cassandra's model type is imprinted with actual human brain patterns. In that case, Cassandra should think about sex the way a real woman does, not like a 15 yr. old boy does. Think I'm exaggerating? Here's a sample, you decide. This is Cassandra's internal monologue at one point (verbatim), "Damn, give her good food, nice surroundings, and a decent hard shag at least 5 times a week and she was happy. Let the universe rot, she just wanted to get nailed." The actual human women in the book aren't much better and certainly don't ring true as believable characters. Cassandra has a great deal of angst over the politics in her world and how much she loves art although she's a soldier, but in truth, the android doesn't actually seem to care a fig about anything but sex and fighting so the moral/ethical conflict of a thinking/feeling android used for fighting doesn't come off at all. And, I didn't give a flip about Cassandra either. She's a male fantasy - beautiful, smart, strong, and can't get enough sex (oh and of course, very skilled at sex) - she's not a real character. She's supposedly made of some super bio synthetic material, but to me she seemed to be made of cardboard. Her human compatriots aren't any more fleshed out either. You don't really see much political action, just characters thinking about it and talking about it and it's a bit simplistic and convoluted. And, the internal monologues are long, frequent and tiresome.
Dina Pearlman is OK as the narrator. As a previous reviewer noted, she does get better as the book goes on. But this is just not a good book, so it's hard to get too excited about the performance of it.
The story starts very slow to the point you almost want to give up on it. However if you stick with it, the last 25% keeps you listening and in the e..Show More »nd, you are reaching so to speak for the the next book...
This forth book is one of the best. If you like stories that explore the nature of societies, the meaning of humanity, human androids, political intrigue, lots of gun fights, and strong female leads this one is for you.