I must admit that I was put off by the negative reviews I read. I listened to it anyway and loved it. With good characters that I cared about it is..Show More » a very easy read. What I was amazed at was how little I learned in school about WW1. I think you could easily teach a course based on this book. I went to the internet constantly to learn more about incidents that were mentioned in the book. I could not put it down.
I really wanted to like this book. I have been a keen student of 20th century history since high school, 40 years ago.
Alas I found mysel..Show More »f unable to really engage with the characters, finding them rather cardboard cutout. I could not help feeling that each was created purely to act as a vehicle to show key historical moments and most of the conversations they had, tended to give us lengthy history lessons. The fact that they seemed to somehow turn up at key points of world events of the time, I found clunky.
The book is redeemed to an extent by some great descriptions, the delivery of casulty telegrams being one good scene.
Overall, while i have no argument with the accuracy of the events portrayed, I feel that Mr Follet may have been better to have reduced the scope of the epic and used history as a background to the characters lives rather than awkwardly dropping them into each significant event. Not a book I could immerse myself in, rather, I skipped along the top, unable to find a way in
I read Ken Follett's two mediaeval England books and they were riveting. Tremendous stories that kept me transfixed throughout. Next I read his World ..Show More »War I book and I have just finished listening to 'Winter of the World', the second book of this 20th century trilogy - the story of World War II.
Like the above-mentioned three books, this was a good entertaining story and very enjoyable. The only trouble is that Follett has to manufacture the plot so that every major character from his two basic families (Russian and Welsh) appears at key moments in the war and intervenes to change the whole course of the conflict: inventing the atom bomb, stopping Hitler from systematically killing disabled people, forming the united nations, passing the Nazi invasion plans to the Russians etc, etc.
Unfortunately, this stretches the credulity of the listener and it is always in the back of your mind that two families couldn't have had such an impact. This wasn't a problem with the mediaeval novels, because they were based in a small country with a small population , so it wasn't as far-fetched that the key characters could have such an influence on major historical events.
As for the narrator, he was generally pretty good, but he struggled a bit with some of the accents. At one point I wasn't sure if his Welshman was a Geordie or an Indian!
These were the only blemishes on what was otherwise a great listen.
This is a strong, interesting, well written and superbly performed historic pot boiler which may on occasion play a little fast and loose with the fac..Show More »ts but makes up for that with a compelling narrative drive. Don’t get me wrong, this is a very good book. It’s a long and at times harrowing read which deals with the rise of Fascism and World War Two through to the start of the Cold War. What is a little irksome is the structure which relies on coincidences which draw the main actors to just the right place at the right time. It’s a device he used to great effect in Fall Of Giants but it’s wearing a tiny bit thin in this second episode. In his much under rated movie Zelig Woody Allen has his character show up in pretty much every major news event of the 20th century to great comic effect. The frequency with which his protagonists pop up at just the right place and time to witness firsthand the salient event of WWII does stretch credibility just a little here and there. Having said that, it’s still a terrific read. I was a little troubled by a couple of historic inaccuracies which I noticed….for example one plot line features the Nazi T4 euthanasia program which actually happened in a Berlin suburb but Follett sets in a remote small town well outside Berlin. Follett dwells in gruesome detail on the mass rape carried out by the invading Red Army but almost completely ignores the entire Holocaust. Working through the events covered in this book it’s almost inevitable that the political bias of the author will show through from place to place. It’s pretty clear that he has a soft spot for the working class heroes of the British Labor movement with a healthy contempt for aristocracy of any kind. These books are also fairly racy, certainly not for the under 16 set. If you enjoyed Fall of Giants you will likely love this book. If you haven’t read FOG yet, start there and you will likely follow straight on to this second book with your eye on the release date of the third in the series.