There is no argument that Martin's writing style is excellent for listening and not all fictional works are. Some are awkward when read aloud. However..Show More », it does make a difference who reads it. Maybe it's the breathing, the phrasing or whatever--but listening to Dotrice feels like you're sitting at your grandfather's feet while he tells you a story. Maybe some people prefer that. But others like me, not so much. It just gets in the way when you are listening to the reader rather than the story.
Lloyd literally disappears in the narrative and you forget you are being read to. The immersion is that good.
Carries on from 'Game of Thrones' and doesn't disappoint. Some characters have disappeared whilst others develop into excellent characters. What is so..Show More » good about this story is that the characters are not two dimensional cartoon types. Their motivations, ambitions and fears project them through the story with enough twists and different outcomes you will never see coming. I hope the magic of this series doesn't end.
The story and narration are excellent, but is it too much to ask for the audio book to be constructed properly? The chapter breaks do not align with t..Show More »he actual chapters and the parts will end in the middle of a paragraph. Very sloppy and unprofessional. For a $50 audiobook I would expect more.
If you, like me, have been listening to the Song of Ice and Fire Series as read by Roy Dotrice, then odds are you've grown accustomed to not only the ..Show More »delivery, but the wide range of character voices that Dotrice handles so well. You've probably come to recognize some of your favorite characters just by the voice he uses to portray them. If so, you will find A Feast for Crows to be a rather jarring listen, at least initially.
First, a bit of history. When the audio release for this book in the series was first recorded in 2005, Roy Dotrice was not available, and the book was instead read by John Lee. Many fans were perturbed by this fact, and requested an edition read by the same actor as the rest of the series. After the HBO adaptation of Game of Thrones became popular, and the fifth book in the series had seen release, the books received renewed interest. Hoping to appease this new fanbase, Random House finally relented on giving the fans their long-requested wish. Thus, it was in early 2012, nearly 7 years after the initial release, that Roy Dotrice was brought into rerecord A Feast for Crows.
It would seem, however, that in that time Dotrice has forgotten which voices belong with which characters. For example, the characteristically obsequious tone of Petyr Baelish has been replaced with a rather out-of-place gruffness with a slight brogue. Moreover, pronunciations of names have changed significantly, generally moving from a read-as-written interpretation to treating the names as archaic written forms of modern names. Brienne's name has shifted from Brai-een to Bree-anne, and Petyr's name has shifted from Pit-tire to Pete-ur. While you will quickly grow accustomed to the changes, it nonetheless feels unnecessary; Dotrice should have been professional enough to review his previous performances to stay consistent with the latest edition.
As for the story itself, the spotlight of A Feast for Crows is placed rather differently than its predecessors. Entire story lines, characters, and regions of the world will go nearly untouched throughout this entire book. While this is made up for in the sequel (which is at least partially a parallel narrative), some readers may become bored with their favorite characters being thrown to the wayside. Still, the story lines this book chooses to follow are interesting, well-written, and add to the tapestry of interwoven plots that make the series so interesting to read.
Ultimately, if you've already read the first three books of a Song of Ice and Fire, you're unlikely to be deterred by A Feast for Crows. While Dotrice's performance is inconsistent with previous entries, the quality of that performance is no less admirable. And while the focus of the story differs from its predecessors, you will still likely find yourself involved with the happenings of Westeros.
I bought and listened to all 5 volumes of this series recently. I was pleased to see that Roy Dotrice was returning as the reader for book 5. That ..Show More »was until I began listening. I can only assume that Mr. Dotrice and his director chose not to reacquaint themselves with the voices he used for various characters in the first 3 books. Is there a more egregious audiobook flaw than to have the same performer radically change voices for characters across volumes?
I wondered how this could happen. Looking back over the audible.com descriptions, I see the first 3 books were published by Books On Tape with Random House audio while books 4 (narrator change!?) and 5 (return of Dotrice but no voice / character continuity) were Random House only.
I give book 5 4 stars for story but only 1 star for shabby audiobook direction/production. I think Dotrice is a fine reader but the change in character voices is unforgivable. If I was in charge I would have Books On Tape re-record books 4 and 5 with Dotrice as narrator but make sure the director takes care to maintain voice / character continuity.
After book 3, I was gutted to find out Roy Dotrice didn't do the narration for book 4. Instead, some talentless no-mark got the gig and, almost withou..Show More »t exception, made an absolute dog's dinner of it.
So imagine my delight when Dotrice returned for book 5!
And then I started listening...
I've praised Dotrice's work previously because he gave a huge range of characters a unique and consistent voice. Why then does he suddenly elect to give a young girl the screwed up voice of a yokel crone when previously she'd been anything but? Why then does he take what was previously a rich, husky female voice and again turn it into something more suited to a wart-nosed witch? Yes, the majority of the characters are as they were, but these two aren't the only jarring changes but they are by far the worst.
And then there's the story. The previous books had intrigue, shocks, revelations and great characters and a wide but still cohesive narration that was occasionally interspersed with chunks of 'nothing much happens'. This book still has the intrigue etc, but it also has great swathes of text where characters just... really... don't... do... much. At all. I'm looking at you Daenerys, you wishy washy sack of absolute tedium. Other characters that have been dead since before book 1 suddenly take centre stage. Martin has never been shy of offing major characters but he seems to be developing a taste for occasionally resurrecting them without really seeming to have good reason. The cast just keeps getting bigger and more complex. The chronology of events from one place to the next gets tricky to follow.
Dragons feels more like a book from an author who's created too much 'stuff'' in his world trying to give it all time in the sun so he can get it straight. As a result, the tale sometimes seems a little forced and occasionally 'round peg, square hole' as pieces are forced into places and events that just lack.. something.
Still, if anyone can tie it all together in the end, it's GRRM.