--and Necrolocutors, temples, ships, self-mutilation, violence, love, and more!

The fantasy world that Jay Lake depicts in Green is vivi..Show More »d enough, with gods, myths, different cultures, races, and sentient species. It's a medieval world in which some cultures use some steam and gunpowder, a religious world in which people may become gods and gods may answer prayers or even be killed, a magical world of ghosts and spells to extend life. The themes, concerning the relationship between gods and believers, the mixture of good and evil in human beings, and the difficulty of making the world a better place, are interesting. And Lake has created a strong protagonist in Green, a narrator of conscience and empathy who honestly tells the story of her lonely childhood and youth being trained into a mistress/spy but struggling instead to choose her own path in life. Green abhors the violence she must often use and discovers how difficult it is to act solely for oneself without causing unexpected harm.

The first half of the story is absorbing, as Green details her training in the Pomegranate Court of the Factor's House, but in the last third things get, perhaps, a little too frenzied, fabulous, and divinely influenced. The conclusion ties up the immediate story well enough but also leaves things open for future volumes in Green's autobiography.

Some listeners have objected to the lesbian love that plays a significant (though not overly graphic or frequent) role in the novel. Given Green's education, experiences, and personality, I find it appropriate (and even moving), though her interest in whipping and being whipped seems a bit far-fetched and excrescently kinky.

Katherine Kellgren gives a strong reading, just as she does for Bloody Jack, full of understanding and compassion, modified for different characters, and enhancing the story's exciting, scary, tender, or sad parts. But she has such a distinctive voice that at times I thought "Katherine" rather than "Green."

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