I digested this book slowly over a number of weeks; I couldn't put it down, but I didn't want the story to end. This was one of the most interesting,..Show More » original, imaginative works of fiction I have read in years. Before I was finished I had order my own "to keep" copy of the hardback. Yes, the author delved into the dark side of life, but that dark side of the characters was necessary to drive the plot. I would recommend this book to anyone who can keep an open mind, enjoys great character development and appreciates a realistic ending.
It is very hard to write a concise review of this book, as there is so much one could say about its strengths and weaknesses. Vast sections were extr..Show More »emely tedious, yet other, longer, sections were riveting and deeply engaging. I agree with an earlier reviewer's opinion that the novel could have done with a bit more editing. Some of the exposition is difficult to get through, and can be confusing at times. I say this as a reader who is not easily bored, and tends to enjoy the sorts of long realist novels most people find boring. Ultimately, once I got into the guts of this novel, I found it hard to put aside. I'd say the first hour or two, and the last couple hours of the audio version were not all that engaging, but I think there are a number of reasons for this, mostly personal. Others may find the Venestrom strain of the novel more interesting than I did.
The novel contains a good deal of fairly graphic sexual violence, and isn't for those who might be sensitive to this sort of thing. It is also very devoted to detail, so you will always know what the characters make themselves for lunch, for example. But I found this aspect of the novel interesting, and I think it enhanced the atmosphere and character development.
A very worthwhile audiobook. The narrator is phenomenal, and I appreciated that he captured the characters' voices and emotions without exaggeration or affectation. His narration increased the tension where appropriate, without being overwrought. Easily among the best audiobook narrators I've ever encountered.
This was another great listen. I enjoyed it more than the first in the trilogy, but that is purely personal preference. The tone of this one is not ..Show More »quite as dark as the first, and as a result lacks some of the tension, but I thought the overall plot was more interesting. This may be because we learn more about Lisbeth, and she's more present in this novel than in the first.
Again, Larsson is devoted to a lot of minute detail. Easily bored readers may find that parts of this novel seem sort of out of place, especially as there are a number of episodes that aren't related to the overall mystery. I personally enjoyed all of the threads that weave through this novel, because they are so expertly character driven. Sadly, it appears the audio version of the third book in the trilogy will be abridged.
If I have one complaint, it's that the translator makes a few mistakes in his choice of certain English words, with slightly amusing results, e.g. "noisome."
Saul Reichlin is excellent again as the narrator. This is exactly the sort of narration I look for in an audiobook, rather than a dramatization of the work. As I said in my review of the first book, I think he captures the characters' voices perfectly, without affectation or awkwardness.
I live in Beijing. I drive or take the subway several times a week and that is when I listen to Audible books. I do not listen to them at home. If ..Show More »I did, I would go through my Audible library much too quickly and my credit card balance would, all too soon, reflect the damage. I am highly disciplined about this. When I get to the door of my apartment, the book clicks off, and podcasts or music must suffice during housework or down time. I know that this is a slippery slope, so I am far too wise to make exceptions.
I listened to the last four or five hours of this book while baking, taking a bath and, finally, lying on my bed, transfixed. Unacceptable!
It breaks my heart that Stieg Larsson is no longer with us. On the other hand, it is going to make it a lot easier for me to return to a regime of no Audible.com books at home.
Some readers have found the detail in the book overwhelming. For me they were an important part of the texture of the story which moves like real life. When the author puts so much at stake for the characters, the realistic details become loaded--which of them will prove to be crucial, life changing? Which of them are simply part of the unimportant background? If Larsson had not created such engaging and fascinating characters or a situation so charged with danger and dark possibility, they would be tiresome. Instead, I found myself picking my way through them as through a mine field.
In addition, the plot works like a well oiled machine, a very complex machine. In the end you must just give yourself up to it and live it out to the end with Salander, Blomkvist and the fifteen or twenty other memorable characters in the book. Brilliant work!
It is rare that a series gets stronger as it goes along, but Hornets' Nest is a terrific finale. When I got to the last part of the book, I sat for f..Show More »ive hours straight so that I could find out what happened. It is a great feminist novel, though many readers might not notice...
Sometimes when you're done listening to a book, you just can't stand the silence that follows. This is precisely the case here. I miss Lisbeth. I miss..Show More » Simon's voice. I miss thinking about what Larsson was going to do with the plot.
Simon Vance is the perfect reader for this exciting conclusion to the trilogy. I'm ready to listen to it again so I can pick up more detail. Excellent.
A totally different writer could have taken the key characters and put together a Larrson-worthy book. This is SO not it. Why? There are a tremendous ..Show More »number of monologues in this book where either the narrator or 1 character tell you what happened in the past OR describe something they could not possibly know. These monologues are very long and tedious and take the place of action and plot.