Great story and fantastic narration. I have nothing to add on that front.
About the quality, however...once an hour a sentence repeated itsel..Show More »f. I'm assuming they recorded from a CD where the last sentence of a disc is repeated as the first sentence of the next disc. Also, the last 40 minutes of Audible's Part 3 were repeated at the beginning of Part 4. Not at all on par with Audible's usual quality...surprising and disappointing that they would let one of their best sellers go out in this condition.
Roy Dotrice again, simply great at what he does....
The twists and turns in the book is simply great and I am loving how the characters are ..Show More »very slowly but purposely being developed. The book has three different stories running as one it seems and it weaves together very well. Just plain impressive.
Carries on from 'Game of Thrones' and doesn't disappoint. Some characters have disappeared whilst others develop into excellent characters. What is so..Show More » good about this story is that the characters are not two dimensional cartoon types. Their motivations, ambitions and fears project them through the story with enough twists and different outcomes you will never see coming. I hope the magic of this series doesn't end.
As good as the books are, and they're very good indeed, it's Roy Dotrice's narration that makes the whole thing sing. As a comparison, the audiobook o..Show More »f Dune, another multi-threaded, multi-character, multi-dialect epic used several narrators sometimes and one narrator at other times. Sometimes the narrators were good, sometimes average and sometimes downright terrible.
Dotrice manages to do the heavy lifting and somehow carry the entire cast, from the major characters to the smallest one liner and give them all a voice and, using an array of British accents, makes them all consistent and recognisable.
Yes, sometimes the accent doesn't quite suit the character but such instances are rare enough to simply not matter.
It is hard to imagine how this audiobook could have been improved.
As I sat and listened to the book I found myself once again at the edge of my seat almost. The book seemed to be moving too slowly and yet too fast as..Show More » I read it. Too slow in that you get impatient wondering what is going to happen next yet everything seemed so relevant and then too fast in terms of when you do reach the end you are left pining for more.
George R. R. Martin did a superlative job with every character in the book. This particular book has one of the most startling twists yet, one of those twists that make you think "What the?!?!" I remember listening what happened and for a VERY VERY long time wondering "Did that really happen?". He spares no one in these books I find and I have now come to expect the unexpected.
Roy Dotrice.... What can I say? There is little I can say about his performance except this... just plain exceptional.
If you, like me, have been listening to the Song of Ice and Fire Series as read by Roy Dotrice, then odds are you've grown accustomed to not only the ..Show More »delivery, but the wide range of character voices that Dotrice handles so well. You've probably come to recognize some of your favorite characters just by the voice he uses to portray them. If so, you will find A Feast for Crows to be a rather jarring listen, at least initially.
First, a bit of history. When the audio release for this book in the series was first recorded in 2005, Roy Dotrice was not available, and the book was instead read by John Lee. Many fans were perturbed by this fact, and requested an edition read by the same actor as the rest of the series. After the HBO adaptation of Game of Thrones became popular, and the fifth book in the series had seen release, the books received renewed interest. Hoping to appease this new fanbase, Random House finally relented on giving the fans their long-requested wish. Thus, it was in early 2012, nearly 7 years after the initial release, that Roy Dotrice was brought into rerecord A Feast for Crows.
It would seem, however, that in that time Dotrice has forgotten which voices belong with which characters. For example, the characteristically obsequious tone of Petyr Baelish has been replaced with a rather out-of-place gruffness with a slight brogue. Moreover, pronunciations of names have changed significantly, generally moving from a read-as-written interpretation to treating the names as archaic written forms of modern names. Brienne's name has shifted from Brai-een to Bree-anne, and Petyr's name has shifted from Pit-tire to Pete-ur. While you will quickly grow accustomed to the changes, it nonetheless feels unnecessary; Dotrice should have been professional enough to review his previous performances to stay consistent with the latest edition.
As for the story itself, the spotlight of A Feast for Crows is placed rather differently than its predecessors. Entire story lines, characters, and regions of the world will go nearly untouched throughout this entire book. While this is made up for in the sequel (which is at least partially a parallel narrative), some readers may become bored with their favorite characters being thrown to the wayside. Still, the story lines this book chooses to follow are interesting, well-written, and add to the tapestry of interwoven plots that make the series so interesting to read.
Ultimately, if you've already read the first three books of a Song of Ice and Fire, you're unlikely to be deterred by A Feast for Crows. While Dotrice's performance is inconsistent with previous entries, the quality of that performance is no less admirable. And while the focus of the story differs from its predecessors, you will still likely find yourself involved with the happenings of Westeros.
A Song of Ice and Fire is my "most favorite" Audible series (member for over 10 years), but I was actually disappointed in this audio book. For the m..Show More »ost part, it was probably the narration by Roy Dotrice that ruined it for me. Mr. Dotrice did a superb job narrating previous books and I remember being very upset that he stopped narrating the more recent ones. So, I was thrilled to see that he had been brought back for this book. Unfortunately, he was just not up to the task. I had to listen very carefully when a chapter started to know who the characters were because each chapter had a nearly identical set of "voices".
Daenerys (young dragon queen), was probably the worst voiced character. She has a prominent role in this book, which made her voice all the more disappointing. Instead of sounding like the most beautiful queen in the realm, she sounded like an old hag. In fact, nearly all the females sounded old and haggy. Nearly all the knights sounded the same as well. But, at least you could always pick out any male from house Lannister because they all sounded like Tyrion :)
I am not trying to be mean here since I love the series and loved Roy Dotrice in the previous books he narrated. I will have to say that George Martin went a little overboard with the number of characters in this book and perhaps that had something to do with the narration problems. Also, this book did not have nearly the action and pacing of the previous books. I find this is typical with writers who are trying to "tie up" all the loose ends in a series or just trying to do a good job of bringing things to a logical conclusion. Then the last part of the last book is so full of action and pace that you can't put it down and find yourself wishing the writer had done a better job of spacing the pacing (so to speak).
Perhaps George Martin is now such a mainstream success that his editors were afraid to touch the script... I mean book. Please, please, please, Mr. Martin, Mr. Dotrice, and "editors", return to the style of the earlier books for Book 6 and you will have my undying appreciation!
After book 3, I was gutted to find out Roy Dotrice didn't do the narration for book 4. Instead, some talentless no-mark got the gig and, almost withou..Show More »t exception, made an absolute dog's dinner of it.
So imagine my delight when Dotrice returned for book 5!
And then I started listening...
I've praised Dotrice's work previously because he gave a huge range of characters a unique and consistent voice. Why then does he suddenly elect to give a young girl the screwed up voice of a yokel crone when previously she'd been anything but? Why then does he take what was previously a rich, husky female voice and again turn it into something more suited to a wart-nosed witch? Yes, the majority of the characters are as they were, but these two aren't the only jarring changes but they are by far the worst.
And then there's the story. The previous books had intrigue, shocks, revelations and great characters and a wide but still cohesive narration that was occasionally interspersed with chunks of 'nothing much happens'. This book still has the intrigue etc, but it also has great swathes of text where characters just... really... don't... do... much. At all. I'm looking at you Daenerys, you wishy washy sack of absolute tedium. Other characters that have been dead since before book 1 suddenly take centre stage. Martin has never been shy of offing major characters but he seems to be developing a taste for occasionally resurrecting them without really seeming to have good reason. The cast just keeps getting bigger and more complex. The chronology of events from one place to the next gets tricky to follow.
Dragons feels more like a book from an author who's created too much 'stuff'' in his world trying to give it all time in the sun so he can get it straight. As a result, the tale sometimes seems a little forced and occasionally 'round peg, square hole' as pieces are forced into places and events that just lack.. something.
Still, if anyone can tie it all together in the end, it's GRRM.