Boston-born Scott Rosenberg burst onto the scene in 1995 with his hard-boiled screenplay for Things to Do in Denver When You're Dead. His repertoire crosses the film spectrum, including indie films like Beautiful Girls and such big-budget studio pictures as Gone in 60 Seconds and Con Air. His adaptation of the Nick Hornby novel High Fidelity garnered him a WGA Award nomination, and he is frequently called in for his skills as a script doctor.
Billy Ray has written or co-written the screenplays for Color of Night, Volcano, and Hart's War, and also created the sci-fi series Earth 2. In 2003, Ray wrote and directed Shattered Glass, which was based on the true story of fraudulent journalist Stephen Glass. Most recently, he found himself back in the writer/director role for Breach, a story based on real-life FBI agent-turned-Soviet spy Robert Hanssen.
Paul Attanasio's nuanced screenplays for Quiz Show and Donnie Brasco earned him Oscar nominations, and he recently wrote The Good German for Steven Soderbergh. In this intense dialogue, Attanasio describes how he transformed himself from "snotty" Washington Post film critic to master of adaptations for Oscar-winning directors Robert Redford, Barry Levinson, and Soderbergh.
Jose Rivera's pivotal screenplay for The Motorcycle Diaries was one of the most celebrated works of 2005. It earned him Writers Guild, BAFTA, and Academy Award nominations, and was his first major screenplay. His foray into movies came after establishing himself as an award-winning playwright and a hugely accomplished writer for television, where his credits include co-creating and producing the critically acclaimed television series Eerie, Indiana.
John Hamburg is a very funny guy. Hamburg wrote and directed the crime comedy Safe Men, which played at Sundance and spawned a devoted cult following. A sure-thing comedy closer, the New York City native built hilarious set pieces and character work into Meet the Parents, Zoolander, and Meet the Fockers, which not only helped lift them to huge box office but also pushed a few new catchphrases into the American lexicon.
Nia Vardalos was nominated for the Academy Award and the Writer's Guild Award in 2003 for her breakthrough screenplay My Big Fat Greek Wedding, which was based on her one-woman play. The film became the highest-grossing independent feature and turned her into an overnight success, spawning a follow-up sitcom and a cemented spot among Hollywood's elite writers.
Simon Kinberg recently burst onto the scene with his script for xXx: State of the Union, and has since worked on comic-to-film adaptations for Elektra and Fantastic Four and penned the third film in the X-Men series, X-Men: The Last Stand. Kinberg's breakthrough hit, Mr. and Mrs. Smith, began as a script that he wrote in college and became one of the top grossing movies of 2005.
Callie Khouri's seminal, Oscar-winning screenplay for Thelma & Louise, released in 1991, gave voice to a profound cultural moment and became one of the most provocative cinematic landmarks of the '90s. It was the Kentucky native's first attempt at a screenplay. In this enlightening interview, Khouri describes how spending years doing music-video production in the '80s inspired her not only to write, but to write with a purpose.
With close to 30 years experience in the business, Nicholas Kazan knows a few things about screenwriting. He has mastered research skills to write scripts based on true events like Frances, At Close Range, Patty Hearst, and Reversal of Fortune, which earned him an Oscar nomination. He has the knowledge of handling life after the nomination and how to manage studio notes and incorporate changes without weakening the script.
David Seltzer knows Hollywood. He knows the business, the tricks of the trade, and all the hidden truths. He's got the stories from working with Jacques Cousteau, penning the horror classic The Omen, and adapting Roald Dahl's Willy Wonka and the Chocolate Factory. In addition to writing Dragonfly and My Giant, Seltzer also wrote and directed the coming-of-age story Lucas and Punchline.