Showing results by narrator "Colby Elliott" in All Categories

It’s no secret that amazing television starts with a great script. But what makes a television screenplay compelling? An effective screenplay is a blueprint, a loan application, and work order. But first and foremost, it must be a work of art and a captivating read all on its own. Using his script for the proposed reboot of Xena, Javier Grillo-Marxauch (Lost, The Witcher, The Dark Crystal: Age of Resistance) shares what he does to make a fascinating television screenplay, from the first slug line to the final fade to black.

A book arrives by Owl, left under an old fir tree in the snow. With it, a mysterious message: Another world’s scientists have discovered the laws of the universe are found in - fairy tales. Is it true? Snotty - the unlikely hero of this tale - is a streetwise adolescent mastermind transported to a mystical realm where the fate of the world rests on discovering who he really is. As Snotty’s perceptions of might and right are upended, the scholarly footnotes point toward a deeper truth.

Every writer learns the basics elements of storytelling. Whether it’s The Heroes Journey, the Three Act film structure, or even the performing of a magic trick it’s all there. Even when telling a simple joke. Using these three basic elements, screenwriter Javier Grillo-Marxuach (Lost, The Witcher, Medium) breaks down the anatomy used for so many of the stories we love, from Raiders of the Lost Ark, to Gone With the Wind.

Newly minted dream-walker, Cole, finds everything didn’t get fixed after setting a mysterious spirit free and healing the bruised house next door. Trouble has moved down the road to the nearby Prairie Plains Park where something is attacking people in their dreams. Something hungry. But the Stay-at-home Shaman is going to need some help and a few tricks up his sleeve to tackle these new threats to The Overlay. It turns out naptime is no time to snooze.

Sometimes we love a work of art, not in spite of it flaws, but because of them. And a wish that that work of art could be better. Screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) peers through the lens of the ill-fated Disney science fiction epic The Black Hole to show us what we can learn from a flawed gem as it waxes into nostalgia and why it has such a subtle hold on our hearts.

Using examples from Aldus Huxley’s Brave New World, George Orwell’s 1984, and the writings of Neil Postman, screenwriter Javier Grillo Marxuach (Lost, The Witcher, Medium) examines the utopia/dystopia binary and what it means live in the modern social media landscape.

When does the band you love cease to be the band you love? Taking such disparate elements as the writings of Plutarch and the power ballads of 80’s rockers Foreigner, screenwriter Javier Grillo- Marxuach (Lost, The Witcher, Medium) examines what it means to be a creator of art during the Big Feelings of youth and how those feelings mature into collaborating and getting the work done in middle age.

You won’t need to have read any of the other History of Arcadia books to become engrossed in the drama of Aspern Grayling, whose obsession with creating a new life-form - in the person of ruthless adventurer Pavo Vale - could destroy his whole world. A compelling descendant of Mary Shelley’s Frankenstein, this is a tale of a man bent on conquest and of an adversary that may yet defeat him: the ghost of the Arcadian Devindra Vale, the only woman he has ever loved.

Joe Odin is the world's greatest guesser, a carnival legend who can tell you your weight, your profession, or your favorite brand of whiskey with nothing but a glance and a grubby dollar. He uses his flamboyant style of deduction to peer into small-town secrets and unravel his favorite puzzles of all - murders.

Story of youthful adoration, spanning 20 years, science and urban fantasy, set in a slipstream world, following forth from existentialism.

What happens when the quaint picturesque town of Broad Brook, CT is suddenly overrun with those loveable creatures from comic book ads, sea monkeys? First of all, we find out they weren't so loveable, and second...we fight!

The year is 1938, after the Fall of San Francisco, and Captain Lance and his squadron, The Werewolves of War, are America’s last-best hope against the disintegrating flame and acid bullets of the United Slav Army. It will take luck, guts, and some fancy flying to carry out The Torpedo Plan, foil the enemy spies, and win freedom and glory for America in this science-fiction pulp-adventure classic.