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Tanya Byron

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  • The Skeleton Cupboard: The Making of a Clinical Psychologist | Tanya Byron

    The Skeleton Cupboard: The Making of a Clinical Psychologist

    • UNABRIDGED (9 hrs and 24 mins)
    • By Tanya Byron
    • Narrated By Imogen Church
    Overall
    (25)
    Performance
    (25)
    Story
    (25)

    Gripping, unforgettable and deeply affecting, The Skeleton Cupboard recounts the patient stories that most influenced Professor Tanya Byron, covering years of training that forced her to confront the harsh realities of the lives of her patients and the demons of her own family's history. Among others, we meet Ray, a violent sociopath desperate to be treated with tenderness and compassion; Mollie, a talented teenager intent on starving herself.

    David says: "Movie...."
  • The Skeleton Cupboard | Tanya Byron

    The Skeleton Cupboard

    • UNABRIDGED (9 hrs and 25 mins)
    • By Tanya Byron
    • Narrated By Imogen Church
    Overall
    (3)
    Performance
    (3)
    Story
    (3)

    Tanya Byron shares powerful stories inspired by her years of training as a clinical psychologist. The Skeleton Cupboard is professor Tanya Byron's account of her years of training as a clinical psychologist, when trainees find themselves in the toughest placements of their careers. Through the eyes of her naive and inexperienced younger self, Tanya shares remarkable stories inspired by the people she had the privilege to treat. Gripping, poignant, and full of daring black humour, this book reveals the frightening and challenging induction faced by all mental health staff.

  • The Skeleton Cupboard: The Making of a Clinical Psychologist | Tanya Byron

    The Skeleton Cupboard: The Making of a Clinical Psychologist

    • UNABRIDGED (9 hrs and 25 mins)
    • By Tanya Byron
    • Narrated By Imogen Church
    Overall
    (1)
    Performance
    (1)
    Story
    (1)

    In my session with Imogen, the words were still not coming. I had to move past my own frustration and relax. But it is very hard to relax when you are looking into the eyes of a mute little girl who wants to be dead. You don't want to relax; you want to pull her into your arms, hold her, and then shake her until she tells you why. You long to say, "Why do you want to die? You're twelve years old."

    Kiersten says: "Best Book I've Ever Read!"
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