Storm Jameson writes of Stendhal ‘as one speaks in suitable company of a friend’. She knew him very well. Over the years she read everything available by him and she immersed herself in his life and his writings - and the two cannot be separated. As a biographical subject, Stendhal is vastly more rewarding than many literary figures. Something was forever happening to him; usually another passionate love affair.
In 1960, Storm Jameson decided to write her memoirs. The result was Journey from the North, one of the great literary autobiographies of the century. Volume One, first published in 1969, tells of her childhood in Whitby before the First World War, the strong ties with her formidable mother, an early love of the sea, her intellectual achievements at university and falling in love. She vividly recalls her first marriage and the birth of her son; then came her first book, work in London, and the deep happiness of her second marriage to Guy Chapman, the novelist and historian.
June 1890, Portugal. A child was born in somewhat curious circumstances. Until the age of sixteen, his life was a safe and happy one. At that point it changed suddenly, almost brutally. Handicapped by a physically freakish appearance, he not only survived but grew up to become a celebrated restaurateur. He had unusual talents: he had the help, in various crises, of persons as remarkable as himself, and he developed, half deliberately, half unconsciously, a method of defending himself from the peculiar difficulties
The second volume in Storm Jameson's autobiography starts on the eve of the Second World War, and encompasses Jameson's involvement as the first female president of PEN, where she met all of the writers and artists of her day, and was pivotal in helping refugee families get to Britain.
Much of the action of The Black Laurel takes place in Berlin, 1945. But it is not a novel about Germany. It concerns a group of English people whose duties or interests place them in Berlin during the first summer of the Occupation. They are involved with one another through their position in occupied territory or through their friendships, and by their interest in the fate of one German who has been arrested and condemned.
This outstanding audio collection is made up of two short stories, A Day Off and The Single Heart, and three long stories which show the variety of the author's great writing skills that make her one of the most distinguished of women writers. In A Day Off, Jameson tells of a day in the life of a middle-aged woman. A lonely woman, snatching at any relationship she can make. It is a story of great perception and understanding but tinged with bitterness and the inevitable sadness of isolation.
Sergeant Jebb - S.J. as he is called - is a distinguished British historian. He has shaped his life pretty much as he wished, subordinating personal responsibilities and professional rewards to his private standards of integrity and scholarship. Or so he believes, until a crucial few days force him into confrontations of a sort he has never faced before. For one thing, his doctor tells him he is seriously ill and must undergo a new and delicate operation if he is to survive. And he is deeply troubled about his 20-year-old son, Simon. The boy's ex-mistress has killed herself in a blaze of notoriety that implicates Simon in moral responsibility of her act.
Our story begins with the birth of Mary Hanskye in 1841 as the Industrial Revolution is changing the face of pastoral England. While still a child, Mary comes under the influence of her uncle, one of England's great shipbuilders. Soon she is a young woman involved in a loveless marriage arranged by a father she has hardly known.
Cloudless May explores the political and psychological circumstances of the defeat of France in the spring of 1940. The audiobook follows the life of a French businessman, his friends, and his mistress, as they try to weather the storm that is the fall of France, during the devastation of the war.
She was too restless to work or write. She thought of Richard, of her unmanageable desires and her un-abatable ambitions... My life is in pieces, I am nothing, I have achieved nothing; yet I will, she thought'. In the month after the 1918 Armistice a young woman, Hervey Russell, comes to London to seek her fortune. Inexperienced and poor, she has all the strength and stubborn will of her Yorkshire grandmother and all the dreams of youth. Hervey is alone, her husband in the Air Force still, her baby son in Yorkshire.
It is a seductive world in which the action of this astonishing audiobook unfolds: cultivated, privileged, secure, the close-knit world of an Oxford college, epitomized by the Master and the Master's house, a haven of good taste, intelligence and aristocratic nonconformity. With one or two exceptions, its inhabitants would - if they were to thank God for anything - thank Him that they are not as other men. Yet these are not stonyhearted snobs; they have accepted an outsider - Nevil Rigden, product of a city slum.
In The Journal of Mary Hervey Russell, Storm Jameson has chosen a form which enables her to use a rich supply both of public occurrences and personal knowledge and experience for the exercise of that imaginative observation which is characteristic of her best work. Whether she describes a chance meeting in Paris with a new French poet, or the reaction of delegates at the international conference of authors on the very eve of war, or her association with innumerable refugee intellectuals in London
Aristide Michal's wife Lotte is not his wife, nor is his son Philippe his son. He is deeply attached to both, and to the modest little Hotel Moderne Aristide he is running in a village in the hills behind Nice and Cannes, with its admirable small restaurant, and its faithful café circle which includes an old Englishman with his own reasons for anger and pity. What happens to Michal himself, to Lotte and Philippe, to the old Englishman, and to the boy Jean in the months before he comes to accept his divided loyalty.
When a country is invaded and occupied for a long time, the rents that appear in human relationships are not all, or always, due to the brutality of the invader - his kindness can be equally dangerous and disturbing. What happens to a French girl who marries a Young German, decent and well-meaning, and is taken by him to live with his German family? Suppose that he is killed, and she left alone in Germany, with her relations by marriage? What do they think of her? How does she think of herself - has she a country?
Storm Jameson's fine audiobook tells the story of two men, their beginnings, ambitions, wives, failures, successes. Gregory Mott is seen at first solely through the eyes of other people: the old man who taught him when he was a child; his aristocratic wife; his oldest friend, Lambert Corry; and Harriet Ellis, at one time his mistress and still his close friend. He is a religious man, a writer whose Anglican beliefs have had considerable influence.
With literary ability, clarity of style, and astonishing inventiveness, Storm Jameson tells the story of people who - as may happen to any one of us at any time - are forced to make a supremely momentous decision. The author's intellectual curiosity, combined with her grasp of social, political and moral happenings, make this audiobook is a powerful and admirable piece of work.
It is 6th May 1926, the third day of the General Strike. This is the story of that harrowing week seen through the eyes of the women and men of London as they move through that unreal city. We meet those who gave their all for the strike - and a vision of a better world. We meet, too, those who fought to break it with every weapon they had: power, politics, money - or brute force.
This short audiobook offers the dispassionate but sharp-tongued comments on the novel, by an old fiction hand, a personal exercise of taste and judgment, backed by a life interest in the history and methods of literary criticism. It reviews the evergreen question of the death of the novel, so often and confidently announced; the difficulties, peculiar to our nihilistic and often brutal age, that press on the contemporary novelist; the effect on him and his work of the technological revolution.
This is a light comedy with a chorus.The action takes place on seven days,spread over a period of between four or five weeks during May and June 1958. During that time, Sarah Faulkner, celebrated diseuse, who has come home to rest after four years of touring in Europe and America, is responsible, directly or indirectly, for a great deal of disturbance,even for what may or may not be a murder.