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Michael Beran

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  • Murder by Candlelight: The Gruesome Slayings Behind Our Romance With the Macabre | Michael Beran

    Murder by Candlelight: The Gruesome Slayings Behind Our Romance With the Macabre

    • UNABRIDGED (7 hrs and 43 mins)
    • By Michael Beran
    • Narrated By Jonathan Yen
    Overall
    (13)
    Performance
    (13)
    Story
    (13)

    In the early 19th century, a series of murders took place in and around London that shocked the whole of England. The appalling nature of the crimes - a brutal slaying in the gambling netherworld, the slaughter of two entire households, and the first of the modern lust-murders - was magnified not only by the lurid atmosphere of an age in which candlelight gave way to gaslight but also by the efforts of some of the keenest minds of the period to uncover the most gruesome details of the killings.

    Chris says: "Literally couldn't finish it..."
  • Jefferson's Demons: Portrait of a Restless Mind | Michael Knox Beran

    Jefferson's Demons: Portrait of a Restless Mind

    • UNABRIDGED (9 hrs and 49 mins)
    • By Michael Knox Beran
    • Narrated By Dan Cashman
    • Whispersync for Voice-ready
    Overall
    (12)
    Performance
    (4)
    Story
    (4)

    In Jefferson's Demons, Michael Knox Beran examines episodes of melancholia in Jefferson's life. In particular, he focuses on the journey Jefferson made to Europe in 1787 to escape the depression that set in due to his tumultuous experience as governor of Virginia following the Revolution and his wife Martha's death. Like Gary Wills' Lincoln at Gettysburg, Beran's revelatory narrative weaves together intellectual history with biography to show how Jefferson embraced the idea of classicism.

    Jonathon Pyles says: "Lots of words, little detail"
  • Citizen Trump | Michael Knox Beran

    Citizen Trump

    • UNABRIDGED (12 mins)
    • By Michael Knox Beran
    • Narrated By Mark Ashby
    Overall
    (0)
    Performance
    (0)
    Story
    (0)

    People who use the word "buffoon" to describe Donald Trump do so too casually. They overlook the virtuosity of the performance. The yellow hair, the painted face, the histrionic strutting, the naïve egotism - Trump plays the part of Il Capitano, the swaggering soldier of the commedia dell’arte, with a skill the professional actor might well envy. Americans have never seen such a performance, not, at any rate, on the political stage.

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