Georges Simenon's gripping tale of small town suspicion and revenge, part of the new Maigret series. There was an exaggerated humility about her. Her cowed eyes, her way of gliding noiselessly about without bumping into things, of quivering nervously at the slightest word, were the very image of a scullery maid accustomed to hardship. And yet he sensed, beneath that image, glints of pride held firmly in check. She was anaemic. Her flat chest was not formed to rouse desire.
"A Pernod in Brittany"
There are situations in which we fail for a moment to recognize the person we are with, in which the identity of the other is erased while we simultaneously doubt our own. This also happens with couples - indeed, above all with couples, because lovers fear more than anything else "losing sight" of the loved one. With stunning artfulness in expanding and playing variations on the meaningful moment, Milan Kundera has made this situation - and the vague sense of panic it inspires - the very fabric of this novel.
Kundera brilliantly examines the work of such important and diverse figures as Rabelais, Cervantes, Sterne, Diderot, Flaubert, Tolstoy, and Musil. He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe. Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the postpsychological novel.
Irena and Josef meet by chance while returning to their homeland, which they had abandoned 20 years earlier. Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence "their memories no longer match."
Disconcerted and enchanted, the listener follows the narrator of Slowness through a midsummer's night in which two tales of seduction, separated by more than 200 years, interweave and oscillate between the sublime and the comic. Underlying this libertine fantasy is a profound meditation on contemporary life: about the secret bond between slowness and memory, about the connection between our era's desire to forget and the way we have given ourselves over to the demon of speed. And about "dancers" possessed by the passion to be seen, for whom life is merely a perpetual show .
Milan Kundera has established himself as one of the great novelists of our time with such books as The Unbearable Lightness of Being, Immortality, and The Book of Laughter and Forgetting. In Testaments Betrayed, he proves himself a brilliant defender of the moral rights of the artist and the respect due to a work of art and its creator's wishes. The betrayal of both - often by their most passionate proponents - is the principal theme of this extraordinary work. Listeners will be particularly intrigued by Kundera's impassioned attack on society's shifting moral judgments and persecutions of art and artists.
Casting light on the most serious of problems and at the same time saying not one serious sentence; being fascinated by the reality of the contemporary world and at the same time completely avoiding realism - that's The Festival of Insignificance. Readers who know Kundera's earlier books know that the wish to incorporate an element of the "unserious" in a novel is not at all unexpected of him. In Immortality, Goethe and Hemingway stroll through several chapters together, talking and laughing.