Kitty, Kieran, Lolly, and Aaron—the main characters of the previous two Pig Trilogy novels—would be expected to be living happily ever after at this point. But nothing is settled or as expected in Caldwell’s new tragicomedy (of the kind that only the Irish can compose): Disappeared characters rematerialize, romances that seemed dead burst back to ardent life, and even Taddy and Brid, Castel Kissane’s comely spirits, resolve themselves into much-longed-for conclusions.
In this tale of two lives immutably intertwined, Sister Rachel is a nun in a failing order, a painter with a history of madness, devoted to her dying Mother General. Her brother Phillip is an accountant serving time for embezzlement, a man capable of great violence and anger who has turned his back not simply on the church, but faith as well. They have nothing in common except for a shared childhood tragedy. Or do they?
A pig escapes from its pen and roots up the garden of Kitty McCloud, a best-selling novelist who "corrects" the classics. What the obstreperous little pig unearths is evidence of a possible transgression that the novel's three Irish characters - the plagiarizing Kitty, her blood-feud rival Kieran, and a sexy swineherd named Lolly - are convinced the other has probably benefited from.
Enjoy a “second helping” from the obstreperous creature that romped so riotously through The Pig Did It with this sequel, The Pig Came to Dinner. All of the charming characters of the previous story are also present again....
Eugene is a midwesterner living in New York, an erstwhile Catholic and not-quite-openly-gay photographer. When a Holy Week pageant in the gritty Lower East Side erupts into a riot, he is sucked into the city's shadowy depths. While photographing the parade, Eugene has his eye on a handsome teen, but when things turn violent the youth is stabbed and Eugene's camera is stolen. To find the camera and its precious film, which may provide evidence, Eugene has to become acquainted with a seedy, unfamiliar world, and hold on to his sanity in the process.
The Deer at the River follows an especially intense period in the life of Noah Dubbins, a young carpenter and father of three living in rural New Hampshire. Noah’s life changes drastically when he returns from work one day to find his wife, Ruth, behaving erratically and reenacting the birth of their youngest son. Ruth is committed to a psychiatric hospital and Noah is left to look after their children on his own. In his loneliness, he wrestles with his lust for an old flame and a burgeoning confusion about his sexuality.
Michael Ruane is an obscure American opera singer who arrives in Naples to play a small part in an important production of Tosca and star in his own staging of a little-known Benjamin Britten opera. The work comes at a particularly trying time, when he’s still raw with grief after his New York lover’s death from AIDS. As the productions get under way, Ruane is offered an unusual part: That of the “uncle from Rome” at a local wedding.
An unlikely criminal, Andy Durant is robbing gas stations to buy back land once connected to his wife's farm in upstate New York. But when he's shot and killed during a robbery, he leaves his wife, Grady, and their three children to fend for themselves. Moving back to the debt-laden farm, Grady ignites a plan that involves getting in the middle of an adjoining neighbor's marriage. Meanwhile, one by one the whole family is charmed by Royal Provo, a young and charismatic orphan working on the property.