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Jane Heller

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  • Best Enemies | Jane Heller

    Best Enemies

    • UNABRIDGED (10 hrs and 13 mins)
    • By Jane Heller
    • Narrated By Rachel Fulginiti
    • Whispersync for Voice-ready
    Overall
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    Amy Sherman has a nice apartment in Manhattan, a good job as publicity director at a publishing company, and a decent social life. Then she runs into Tara Messer, prom queen and Amy's ex-best friend. It's been four years since Tara stole Amy's fiancé, and Amy swore she'd stop playing second fiddle to spotlight-hog Tara. Or so she thought. Tara, now married to the man who broke Amy's heart, is a lifestyle guru with her own book deal - and Amy gets tapped to be her publicist.

  • An Ex to Grind | Jane Heller

    An Ex to Grind

    • UNABRIDGED (11 hrs and 10 mins)
    • By Jane Heller
    • Narrated By Caroline Shaffer
    • Whispersync for Voice-ready
    Overall
    (17)
    Performance
    (15)
    Story
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    At first, Manhattan financial planner Melanie Banks adores Dan Swain, her pro-football player husband who has a sexy Oklahoma drawl to go with his athletic good looks. But then his career comes to a screeching halt, and he spends the next few years out of a job, seemingly unconcerned about it. Suddenly, she's the one bringing home the bacon and falling out of love with the paycheck-devouring, couch-sitting mooch. Divorce is the answer, she decides - only to learn she has to fork over alimony while he lives like a prince on her income, and she has to share custody of their precious dog.

  • The New Yorker, May 30th 2016 (Nathan Heller, Jane Mayer, Joshua Rothman) | Nathan Heller,Jane Mayer,Joshua Rothman

    The New Yorker, May 30th 2016 (Nathan Heller, Jane Mayer, Joshua Rothman)

    • HIGHLIGHTS (2 hrs and 15 mins)
    • By Nathan Heller, Jane Mayer, Joshua Rothman
    • Narrated By Todd Mundt
    Overall
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    Performance
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    Story
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    In this issue: "Opening Doors" by Jelani Cobb; "The Big Uneasy" by Nathan Heller; "Sting of Myself" by Jane Mayer; "The Metamorphosis" by Joshua Rothman; "Descendants" by Laura Miller.

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