Showing results by author "G K Chesterton" in All Categories

Gilbert Keith Chesterton (1874-1936) was an English writer best known for his fictional priest-detective, Father Brown.This collection features five of Chesterton's most intriguing cases:The Shadow of the SharkThe Hammer of GodThe Invisible ManThe Queer FeetThe Blue Cross

Arístides Valentín jefe de policía de París sigue los pasos del gran criminal y ladrón Flambeau. En este relato hace su primera aparición el padre Brown un sacerdote con aire de despistado que viaja con una preciada posesión de la iglesia. Detective, clérigo y criminal cruzarán sus destinos aunando sus ingenios de: perseguidos y perseguidores para lograr sus objetivos. Gilbert Keith Chesterton (más conocido como G.K.Chesterton) Durante toda su vida escribió numerosos ensayos y reseñas sobre el género policial. 

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.

G.K. Chesterton is most notable for his creation of Father Brown. This unlooked for, and often unwelcome, detective is actually not a detective. But rather, an individual self-trained to think as criminals think, for he has heard so many of their confessions. He knows how their minds work, and can piece together many things that others cannot.

Get ready for an adventure of epic proportions with The Sign of the Broken Sword by G.K. Chesterton! In this thrilling tale, a young man is drawn into a world of espionage and danger as he tries to solve a mystery and clear his father's name. With its fast-paced plot, memorable characters, and themes of loyalty and honor, The Sign of the Broken Sword is a must-listen for anyone who loves a good mystery or adventure. So why wait? Start listening to The Sign of the Broken Sword today and let Chesterton's storytelling skills keep you on the edge of your seat.https://www.solgood.org - Check out ...

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

This is a story from the The Innocence of Father Brown - Volume 2 collection.

“My last crime was a Christmas crime, a cheery, cozy, English middle-class crime; a crime of Charles Dickens. I did it in a good old middle-class house, a house with a crescent of carriage drive, a house with a stable by the side of it, a house with the name on the two outer gates, a house with a monkey tree. Enough, you know the species.” How does Father Brown solve the theft of three gorgeous, large diamonds by a boastful thief?

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

When the body of the eccentric painter Sir Owen Cram is found on a deserted beach next to his easel, a murder enquiry is launched. It is clear that the injury which has killed him could not have been self-inflicted. Nor is the murder weapon anywhere to be found. But most mysterious of all, there is only one set of footprints in the sand leading up to the body, and these are Sir Owen's own. Even the scientists and police investigators are struggling to conceive how the murder has been committed.

A short story from the British Library Crime Classic collection The Edinburgh Mystery. Father Brown joins his friend, amateur detective Flambeau, at Glengyle Castle in Scotland to investigate the mysterious death of the earl, and the mysterious behaviour of his servant, Israel Gow.

Mild mannered Catholic priest Fr. Brown solves another mysterious mystery. How did the dead man get into the garden of Aristide Valentin, Chief of the Paris Police. There was no way in and no way out other than past a well guarded door. Also you may ask how did he end up dead, and who killed him. There are plenty of suspects, but Fr. Brown sorts it all out without relying on the confessional, therefore remaining true to his vows.

During the last part of the nineteenth century, the detective story took off as a popular genre as literary magazines vied with each other to draw in readers with gripping page-turners by the likes of Arthur Conan Doyle, G. K. Chesterton, Guy Boothby and Wilkie Collins. This collection brings together some of the great detectives of the Victorian era, from the master sleuth himself, Sherlock Holmes, to the mild mannered Father Brown, to the feisty J. G. Reeder.

A glittering collection of humorous stories by classic authors, including 'The Tremendous Adventures of Major Brown' by G.K. Chesterton, 'The Talking Horse' by Thomas Anstey Guthrie, 'The Seventh Pullet' by Saki, 'Biffin on the Bassoon' by Harry Graham, 'The Scharz-Metterklume Method' by Saki, 'The Chaplet' by Saki, 'The Facts' by Ring Lardner, 'A Dissertation Upon Roasted Pig' by Charles Lamb, 'Fur' by Saki, and 'The Lumber Room' by Saki'.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

The Flying Stars are missing. Three brilliant diamonds, whose fame has spread throughout England, have been purloined during an innocent Christmas pantomime. Can Father Brown discover the culprit before the curtain falls?

These selections taken from Chesterton's books, essays, poems, and newspaper articles offer us a sharp (and sometimes poignant) look at politics, religion, society, and the human race. This collection includes excerpts from "Orthodoxy", "What's Wrong With the World", "Tremendous Trifles", "George Bernard Shaw", "All Things Considered", "The Ball and the Cross", "Heretics", "The Defendant", "Charles Dickens", and "Twelve Types", among others.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary. Why, or more to the point, who killed Sir Aaron?