Showing results by author "Donna Leon" in All Categories

Early one morning Commissario Guido Brunetti of the Venice Police confronts a grisly sight when the body of a young man is fished out of a fetid canal. All the clues point to a violent mugging, but for Brunetti the motive of robbery seems altogether too convenient.

Scherben auf der Piazza San Marco. Zwei Kinderbanden sind aneinandergeraten, mitten in der Nacht. Während Commissario Griffoni mit weiblichem Gespür herauszubekommen versucht, wie ein Teenager in den Sog eines Flashmobs geraten konnte, nutzt Brunetti seine eigenen Connections. Ja sogar Vice-Questore Patta ist zu allem bereit, um sich und seine Leute vor Vorkommnissen zu schützen, die zumal in einer Touristenstadt wie Venedig nicht willkommen sind.

During intermission at the famed La Fenice opera house in Venice, Italy, a notoriously difficult and widely disliked German conductor is poisoned—and suspects abound. Guido Brunetti, a native Venetian, sets out to unravel the mystery behind the high-profile murder. To do so, he calls on his knowledge of Venice, its culture, and its dirty politics. Along the way, he finds the crime may have roots going back decades—and that revenge, corruption, and even Italian cuisine may play a role.

Surprised, if not dismayed, to discover from his superior, Vice-Questore Patta, that leaks are emanating from the Questura, Commissario Guido Brunetti is surprised more consequentially by the appearance of a friend of his wife's, fearful that her son is using drugs and hopeful Brunetti can somehow intervene. When Tullio Gasparini, the woman's husband, is found unconscious and with a serious brain injury at the foot of a Venice bridge at midnight, Brunetti is drawn to pursue a possible connection to the boy's behavior. But the truth, as Brunetti has experienced so often, is rarely straightforward.

In Friends in High Places, Commissario Guido Brunetti is visited by a young bureaucrat investigating the lack of approval for the construction of Brunetti's apartment years before. What began as a red-tape headache ends in murder when the bureaucrat is later found dead after a mysterious fall from a scaffold. Brunetti starts an investigation that will take him into the unfamiliar and dangerous areas of drug abuse and loan-sharking, and will reveal, once again, what a difference it makes in Venice to have friends in high places.

Commissario Guido Brunetti comes to the aid of a young nursing sister who has had five patients unexpectedly die and decides to leave her convent. In the course of his inquiries, Brunetti encounters an unusual cast of characters but discovers nothing that seems criminal. Is the nun simply creating a smoke screen to justify abandoning her vocation? Or has she stumbled onto something very real and very sinister - something that places her own life in imminent danger?

A good man who loves his family and his city, Commissario Guido Brunetti is relentless in his pursuit of truth and some measure of justice. In Earthly Remains, Brunetti's endurance is tested more than ever before. During an interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Brunetti acts rashly, doing something he will quickly come to regret. In the fallout, he realizes that he needs a break, needs to get away from the stifling problems of his work.

Fifteen years ago a teenage girl fell into a canal late at night. Unable to swim, she went under and started to drown, surviving only thanks to a nearby man, an alcoholic, who heard her splashes and pulled her out, though not before she suffered irreparable brain damage that left her in a state of permanent childhood, unable to learn or mature. The drunk man claimed he saw her thrown into the canal by another man, but the following day he couldn't remember a thing.

Guido Brunetti faces a heinous crime committed outside his jurisdiction. He is drawn in innocently enough: two young American women have been badly injured in a boating accident, joyriding in the Laguna with two young Italians. However, Brunetti's curiosity is aroused by the behavior of the young men, who abandoned the victims after taking them to the hospital. If the injuries were the result of an accident, why did they want to avoid association with it?

When the body of man is found in a canal, damaged by the tides, carrying no wallet, and wearing only one shoe, Brunetti has little to work with. No local has filed a missing-person report, and no hotel guests have disappeared. Where was the crime scene? And how can Brunetti identify the man when he can’t show pictures of his face? The autopsy shows a way forward: It turns out the man was suffering from a rare, disfiguring disease.

Count Falier urges his Venetian son-in-law Guido Brunetti to investigate, and preferably intervene in, the seemingly innocent plan of the Count's best friend, the elderly Gonzalo Rodriguez de Tejada, to adopt a much younger man as his son. Under arcane Italian inheritance laws this man would then be heir to Gonzalo's entire fortune, a prospect Gonzalo's friends find appalling. Then Gonzalo unexpectedly, and literally, drops dead on the street, and his good friend Berta Dodson, just arrived in Venice for the memorial service, is strangled in her hotel room.

In Leon's fifth Commissario Guido Brunetti mystery, the beating of renowned art historian Dotoressa Brett Lynch draws the contemporary Venetian police detective out of his warm and loving home and into the yearly onslaught of acqua alta, the torrential winter rains. Brett, an American who spearheaded a recent exhibition of Chinese pottery in Venice, lives with her lover, Flavia Petrelli, the reigning diva of La Scala. With his open mind and good sense, Brunetti finds himself more fazed by Flavia's breathtaking talent than by the nontraditional relationship between the two women. Brunetti's deliberate and humane investigation to uncover a motive for Brett's beating takes him to dark, wet corners of Venice and into a sinister web of art theft, fakery, and base human desires.

Donna Leon's Death at La Fenice, the first novel in her beloved Commissario Guido Brunetti series, introduced listeners to the glamorous and cutthroat world of opera and one of Italy's finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor. Years after Brunetti cleared her name, Flavia has returned to Venice and La Fenice to sing the lead in Tosca.

A woman’s cryptic dying words in a Venetian hospice lead Guido Brunetti to uncover a threat to the entire region in Donna Leon’s haunting 29th Brunetti novel. When Dottoressa Donato calls the Questura to report that a dying patient at the hospice Fatebenefratelli wants to speak to the police, Commissario Guido Brunetti and his colleague, Claudia Griffoni, waste no time in responding.

One afternoon, Commissario Guido Brunetti gets a frantic call from the director of a prestigious Venetian library. Someone has stolen pages out of several rare books. After a round of questioning, the case seems clear: The culprit must be the man who requested the volumes, an American professor from a Kansas university. The only problem-- the man fled the library earlier that day, and after checking his credentials, the American professor doesn't exist.

A macabre grave is found at the foot of the Italian Dolomites. The body is found to be Roberto Lorenzoni's, only son and heir of one Venice's oldest, most aristocratic families. Commissario Guido Brunetti must move in the highest circles of power and corruption to unravel the mystery behind the young man's disappearance and murder.

Donna Leon’s wildly popular novels starring Venetian Commissario Guido Brunetti have often been praised for their insight into culture, politics, family life, and the history of Venice, one of the world’s most treasured cities and her home for over thirty years. My Venice and Other Essays collects over fifty of Leon’s funny, charming, and passionate essays on subjects that range from battles over garbage in the canals to troubles with rehabbing Venetian real estate.

Brunetti is forced to confront the price of loyalty, to his past and in his work, as a seemingly innocent request leads him into troubling waters. What role can or should loyalty play in the life of a police inspector? It’s a question Commissario Guido Brunetti must face and ultimately answer in Give Unto Others, Donna Leon’s splendid 31st installment of her acclaimed Venetian crime series.

Commissario Guido Brunetti's career is under threat when his professional and personal lives unexpectedly intersect. In the chill of the Venetian dawn, a sudden act of vandalism shatters the quiet of the deserted city, and Brunetti is shocked to find that the culprit waiting to be apprehended at the scene is a member of his own family. Meanwhile, he is also under pressure from his superiors to solve a daring robbery with connections to a suspicious accidental death. Could the two crimes be connected? And will Brunetti be able to prove his family's innocence before it's too late?

On a beautiful spring morning on the island of Pellestrina, south of the Lido on the Venetian lagoon, a small fishing boat moored at the docks suddenly explodes. When it becomes clear that the fire was deliberately set and the boat’s owners brutally murdered, Commissario Brunetti tries to dig up information from Pellestrina’s close-knit - and closemouthed - citizenry. But it is with mixed feelings that he accepts Signorina Elettra’s offer to visit her relatives there and search for clues.