The Newest Oprah Book Club 2016 Selection. Cora is a slave on a cotton plantation in Georgia. Life is hell for all the slaves but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood - where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned - Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.
Lila Mae Watson - the first black female inspector in the world's tallest city - has the highest performance rating of anyone in the Department of Elevator Inspectors. This upsets her superiors, because Lila is an Intuitionist: she inspects elevators simply by the feelings she gets riding in them. When a brand new elevator crashes, Lila becomes caught in the conflict between her Intuitionist methods and the beliefs of the power-holding Empiricists.
"A Macguffin worth chewing on"
Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans, and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.
The year is 1985. Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school, when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria, his social doom is sealed for the next four years.
In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuilding civilization under orders from the provisional government based in Buffalo. Their top mission: the resettlement of Manhattan.
"Tomorrow needs a marketing rollout."
How did the 2016 Presidential-primary debates become insult-laden, substance-free shouting contests?...
J. Sutter is a bonafide junketeer - a freelance writer, travelling from city to city, hungry for free meals and the discarded sales receipts of others to claim on his expense account. Travelling into the backwoods of West Virginia to write a piece on the unveiling of the new John Henry postage stamp and the ensuing John Henry Days festival, J. continues his nearly record-setting, three-month junket binge.
New York Times best-selling author and New York native Colson Whitehead composes a breathtaking tribute to his hometown. Whitehead captures the very essence of New York, infusing his reflections with the energy that permeates the city.
"How to Write " is from the July 23, 2016 Art section of The New York Times. It was written by Colson Whitehead and narrated by Keith Sellon-Wright.
A small Midwestern town is having an identity crisis: should they have a new techno-savvy name or a name honoring the freedmen who founded the town? Or is the current name just fine? They call in a professional naming consultant, famous for naming Apex bandages, guaranteed to match any skin color. But even he is losing his faith in monikers.
"Dull, dull, DULL!"
“I have a good poker face because I am half dead inside.” So begins the hilarious and unexpectedly moving adventures of an amateur player who lucked into a seat at the biggest card game in town - the World Series of Poker.
"I don't like to pan books, but this is awful"
Electric Literature Aloud! is a compendium of 10 short stories from the anthology series. The editors select stories with a strong voice that capture readers and listeners and lead them somewhere exciting, unexpected, and meaningful.
New York nach der Apokalypse: Es gibt nur noch zwei Sorten von Menschen, Nicht-Infizierte und Infizierte, die als Zombies ihr Unwesen treiben. In Zone One, dem südlichen Teil von Manhattan, soll Mark Spitz, ein Held von konkurrenzloser Mittelmäßigkeit, mit einem Trupp Zivilisten die Zombies bekämpfen und die Menschheit retten. Doch ist er vielleicht selbst schon einer von ihnen? Colson Whitehead hat eine grandiose Persiflage des Horror-Genres geschrieben, in der sich Trash-Talk mit feinstem Humor verbindet, ein Porträt der Megapole New York - wie sie werden könnte oder bereits schon ist.
Electric Literature is a quarterly anthology of short fiction. The editors select stories with a strong voice that capture readers and listeners and lead them somewhere exciting, unexpected, and meaningful. In this anthology, Colson Whitehead charts the rise to fame of a truth-telling comedian. And Stephen O'Connor transports us to a cabin in the woods, where a young woman attempting to finish her dissertation in solitude becomes increasingly convinced she's not alone.
In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead. Now the plague is receding, and Americans are busy rebuilding civilisation under orders from the provisional government based in Buffalo. Their top mission: the resettlement of Manhattan.
"Will make your ears bleed"
"The Syria Dilemma", by Philip Gourevitch; "Written in Stone", by Nick Paumgarten; "Backstory", by Michael Schulman; "Maximalist", by Lauren Collins; "The Fairness Trap", by James Surowiecki; "A Psychotronic Childhood", by Colson Whitehead; "The Cosmic Menagerie", by Laura Miller; "The Master’s Wake", by Alex Ross; "Fantastic Voyage", by Emily Nussbaum; and "Stormy Weather", by David Denby.