Showing results by author "Charlotte Perkins Gilman" in All Categories

Charlotte Perkins Gilman (1860-1935) was a prominent sociologist, novelist, and writer of short stories, poetry, and nonfiction. In the short story "If I Were a Man", a married woman named Mollie Mathewson yearns with all her heart to be a man and is suddenly transported into the body and mind of her husband, Gerald. Through the character of Mollie, Gilman illustrates the roles and attitudes of women in early 19th-century society. The utopian novel Herland describes an isolated society composed entirely of women, with an ideal social order free of war, conflict, and domination.

Unique to this title is a study of the themes present in Herland. Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman, in which exists an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. Enjoy this timeless classic!

When I Was a Witch is a short story written by Charlotte Perkins Gilman in 1909. What would you do if you could right all the wrongs that annoy you in this world?

This story is told as a series of journal entries from a woman who is on forced rest as a treatment for hysteria following the birth of her child. As was common in the time, she is forbidden from any work or "strenuous" tasks and is left to sit alone most of her days without mental stimulation, trapped in a room and a marriage that are not fulfilling her. The woman's isolation and mental state cause her to believe that there is a woman stuck in the wallpaper of her room.

The Strange Case of Dr. Jekyll and Mr. Hyde grew out of a horrifying nightmare Robert Louis Stevenson had one night in Bournemouth, England, in 1886. "The Yellow Wallpaper" sprang from a catastrophic nervous breakdown Charlotte Perkins Gilman had six years later on the other side of the Atlantic following the birth of her daughter. Now these two haunting, iconic tales are brought together for the first time in this powerful classic audio exploration of madness and the duality of the human soul.   

Presented here are three of the most important feminist novels ever written: Mrs. Dalloway by Virginia Woolf, The Yellow Wallpaper by Charlotte Perkins Gilman, and The Awakening by Kate Chopin. Each of these works is an early groundbreaking piece of fiction from some of literature's finest female writers as they explore life, love, and the struggle of women to find their voices in a time where they were too often silenced and suppressed.

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman. This semi-autobiographical story was first published in January 1892 in The New England Magazine. In this story, which was written after a severe bout of postpartum depression, Charlotte gives us a disturbing and surreal view of the deterioration of a woman's mental health and her descent into psychosis from her depression.

One of the earliest creative approaches to feminist literature, this sinister horror story tells of a woman's mental anguish and unconscious struggle with conformity in a society that generally viewed women as weak and hysterical creatures unable to think for themselves. The author, Charlotte Perkins Gilman (1860-1935), a prominent American feminist, paved the way for other authors like Sylvia Plath and Alice Walker. She suffered mental illness during her life and ultimately committed suicide.

The great-niece of Harriet Beecher Stowe, Gilman wrote much about the unequal status of women within the institution of marriage. The great-niece of Harriet Beecher Stowe, Gilman wrote much about the unequal status of women within the institution of marriage.

The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?

Charlotte Perkins Gilman's powerful and unsettling story of a young woman descending into psychosis. Confined to her attic bedroom by her husband to ensure rest and recuperation after having her baby, and with nothing else to occupy her mind, the woman slowly becomes obsessed with the old yellow wallpaper covering the walls until she loses her grip on reality, imagining herself and others imprisoned behind the wallpaper.

An intriguing collection of short stories by some of the greatest women fiction writers of the last century. The Lifted Veil – George Eliot Miss Brill – Katherine Mansfield The Fly – Katherine Mansfield The Jew’s Beech Tree – Annette von Droste-Hülshoff The Yellow Wallpaper – Charlotte Perkins Gilman Mansize in Marble – Edith Nesbit

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It was first published in monthly installments as a serial in 1915 in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916, with its sequel, With Her in Ourland beginning immediately thereafter in the January 1916 issue.

Gilman's most famous short story illustrates attitudes in the 19th century toward women's physical and mental health.

Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalised 19th-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do. 

The art of writing a short story can be barely noticed by a reader or listener - such is the quality with which they are usually written. It is a difficult trade, an unforgiving discipline, but for those who master it, the rewards are many. In this series of works by our greatest female writers, we bring you a selection of those we consider the best. In Volume 2 we bring you the classics 'The Yellow Wallpaper' by Charlotte Perkins Gilman and 'Roman Fever' by Edith Wharton.

A petrifying collection of classic tales of the paranormal, spooky happenings, gruesome deeds and uncanny apparitions. Guaranteed to disturb your dreams and keep you awake all night.

A woman, struggling with mental illness, fights to maintain her sanity in her home, haunted by an apparition from behind her bedroom’s yellow wallpaper.

The Yellow Wallpaper is a short story of extraordinary power, exploring issues of mental health, the role of women in society, and the oppressive nature of the patriarchy. Told in the first person, the story follows the plight of a woman confined by her husband in a small room in an old mansion—ostensibly for her own good. As her boredom increases and her sanity deteriorates, she becomes fixated on the wallpaper in the room, the yellow design of which includes an image of a trapped woman.