Showing results by author "Mary Shelley" in All Categories

Five seminal science fiction classics are brought vividly to life in these gripping BBC Radio dramatisations, with casts including Robert Glenister, William Gaunt, Carleton Hobbs and Joanne Froggatt. Titles include Frankenstein (1994), The Time Machine (2009), The Lost World (1975), R.U.R. (1989) and Solaris (2007). Accompanying this collection is a bonus PDF file featuring extensive sleeve notes by Andrew Pixley.

Classic Tales Of Horror offers up fifteen slices of powerful story-telling from the world's great mystery & classic horror authors. From Henry James and Ambrose Bierce to Bram Stoker and Charles Dickens. Read by John Waite (BBC Radio 4), Sarah Douglas (Superman I & II), Michael Fenton-Stevens (Spitting Image, KYTV, Hitch-Hiker's Guide) and Ben Onwukwe (London's Burning, Othello).

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

Four horror stories, over 30 hours of audio entertainment. Horror stories are intended to frighten, startle, and even disgust the listener. The tales of blood-sucking vampires, headless horsemen, hideous creatures, and transformed humans will leave you terrified yet compelled to listen to the next.

En el laboratorio que tenía en el sótano de su casa, este doctor armó un cuerpo humano completo al que, sin embargo, no encontraba cómo darle vida. Una noche de tormenta y viendo que el cielo se iluminaba por infinidad de relámpagos, Frankenstein colocó el cuerpo bajo la fuerte lluvia y vio fascinado cómo la criatura cobraba vida gracias a la electricidad de un rayo que le había atravesado el cuerpo y de esto y más te enterarás al acercarte a esta intrigante y ya muy famosa historia. 

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Frankenstein, or the Modern Prometheus, is Mary Shelley's passionate and Gothic tale of terror, in which a man's desire to know the unknowable sweeps him into a living nightmare. Victor Frankenstein's experiments with life itself give birth to an extraordinary force with the potential for either good or evil.

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein's life with terror, dread and misery.

Three works of fiction, two by Mary Wollstonecraft, and one by her daughter Mary Shelley, creator of Frankenstein. In Mary Wollstonecraft's Mary, the heroine flees her young husband in order to nurse her dearest friend, Ann, and finds genuine love, while Maria tells of a desperate young woman who seeks consolation in the arms of another man after the loss of her child. And Mary Shelley's Matilda - suppressed for more than a century - tells the story of a woman alienated from society by the incestuous passion of her father.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

Frankenstein begins in epistolary form, documenting the correspondence between Captain Robert Walton and his sister, Margaret Walton Saville. Walton sets out to explore the North Pole and expand his scientific knowledge in hopes of achieving fame and friendship. The ship becomes trapped in ice, and, one day, the crew sees a dog sled in the distance, on which there is the figure of a giant man. Hours later, the crew finds a frozen and emaciated man, Victor Frankenstein, in desperate need of sustenance.

En el verano de 1816, el poeta Percy B. Shelley y su esposa Mary se reunieron con Lord Byron y su médico en una villa a orillas del lago Leman. A instancias de Lord Byron y para animar una velada tormentosa, decidieron que cada uno inventaría una historia de fantasmas. La más callada y reservada, Mary Shelley, dio vida así a quien sería su personaje más famoso: el doctor Frankenstein. Al cabo de un año completaría la novela.

An ancient alchemist drags out his weary life in search of the elixir of immortality. But, when his vengeful assistant quaffs the mixture, he discovers that the effects of the draft of immortality may never wear off. Mary Shelley explores the concept of immortality, following a character that never ages through a ponderous and thought provoking life.

Durante un viaje en Alta Mar, el capitán Walton le escriba cartas a su hermana: en ellas le cuenta sus aventuras, y sobre todo el misterioso encuentro con el doctor Víctor Frankenstein. Escrita por la inglesa Mary Shelley y publicada en 1818, la tenebrosa historia del científico que juega a ser Dios, singnificó un antes y un después en la llamada tradición gótica. La famosa novela explora temas como la moral, la creación y la destrucción de la vida, considerándose el primer texto del género de ciencia ficción.

In Mary Shelley's "Transformation," Guido's encounter with a misshapen creature leads to a body swap gone wrong. Trapped in a monstrous form, he must fight impostors and face his own doppelgänger to reclaim his life and love. This gripping Gothic tale explores the consequences of meddling with the unknown.

On a stormy summer evening two centuries ago, Mary Shelley wrote the classic tale about a scientist and his monstrous creation. Now, here is the fun just-for-kids version of Mary Shelley’s classic Frankenstein, abridged and retold while remaining true to Shelley’s original text.

Lord Byron, Percy Bysshe Shelley, and Shelley's wife Mary, who was then only nineteen, all agreed to each compose ghost stories. Mary Shelley's story came to her during a restive night: "I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life and stir with an uneasy, half-vital motion." The result of her vision, which she later published as a full length novel, became the most famous and compelling horror story of all time.

In this breathtaking collection of gothic horror and eerie tales, draw the curtains and pull the blankets close for two classic Victorian horror tales in new adaptations, Dracula and Frankenstein, a thrilling drama about the scandalous Mary Shelley and Lord Byron in Bloody Poetry, the sensational psycho-sexual thriller The Mysteries of Udolpho, four spine-chilling dramatised tales and two of Mary Shelley's finest short stories.

Mary Shelley’s poignant exploration of the true depths of human ambition has had a profound effect on readers since its conception in 1816. When scientist Victor Frankenstein forms a creature from the body parts of corpses, thus shattering the perceived limits of scientific understanding, the consequences are devastating.

Passionné par les sciences occultes, Victor Frankenstein est persuadé qu'il peut donner la vie. Dans la solitude de son laboratoire, un soir d'orage, son rêve devient réalité... et tourne au cauchemar. Il vient de créer un être monstrueux. Victor fuit, épouvanté. Mais il est trop tard : la créature, rejetée de tous, prépare déjà sa vengeance.