Showing results by author "Mary Beard" in All Categories

Mary Beard no es solo la clasicista más famosa a nivel internacional; es también una feminista comprometida y como tal se manifiesta asiduamente en las redes sociales. En este libro muestra, con ironía y sabiduría, cómo la historia ha tratado a las mujeres y personajes femeninos poderosos. Beard explora los fundamentos culturales de la misoginia, considerando la voz pública de las mujeres, nuestras suposiciones culturales sobre la relación de las mujeres con el poder y cuánto se resisten las mujeres poderosas a ser sometidas a un patrón masculino.

The Colosseum was Imperial Rome's monument to warfare. Like a cathedral of death it towered over the city and invited its citizens, 50,000 at a time, to watch murderous gladiatorial games. It is now visited by two million visitors a year (Hitler was among them). Award-winning classicist Mary Beard, with Keith Hopkins, tells the story of Rome's greatest arena: how it was built; the gladiatorial and other games that were held there; the training of the gladiators; the audiences who revelled in the games, the emperors who staged them and the critics.

In the past 100 years, a total of 489 women have been elected to Parliament. Yet it was not until 2015 that the total number of women ever elected surpassed the number of male MPs in a single parliament. The achievements of these political pioneers have been remarkable - Britain has now had two female Prime Ministers, and women MPs have made significant strides in fighting for gender equality, from the earliest suffrage campaigns to Barbara Castle's fight for equal pay to Harriet Harman's recent legislation on the gender pay gap.

The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?