Showing titles in Historiography

In How the World Made the West, Josephine Quinn poses perhaps the most significant challenge ever to the “civilizational thinking” regarding the origins of Western culture—that is, the idea that civilizations arose separately and distinctly from one another. Rather, she locates the roots of the modern West in everything from the law codes of Babylon, Assyrian irrigation, and the Phoenician art of sail to Indian literature, Arabic scholarship, and the metalworking riders of the Steppe, to name just a few examples.

In this groundbreaking new work, Mark Booth embarks on an enthralling intellectual tour of our world's secret histories. Starting from a dangerous premise - that everything we've been taught about our world's past is corrupted, and that the stories put forward by the various cults and mystery schools throughout history are true - Booth produces nothing short of an alternate history of the past 3,000 years.

Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of a single history, in the time and place where they occurred: between Germany and Russia, when Hitler and Stalin both held power. Assiduously researched, deeply humane, and utterly definitive, Bloodlands will be required listening for anyone seeking to understand the central tragedy of modern history.

There was a time when Israel could do no wrong in America's eyes. That time is long past, and justly so - no nation is absolutely perfect, particularly not one that is engaged in a conflict as long as the Arab-Israeli conflict. But the myth of the perfect Israel has been supplanted by a far more deleterious myth: the myth of the evil Israel. This new myth has so pervaded contemporary culture that the history of Israel - as well documented as it is - has been recast and retold to fit a false narrative of Israel as violent occupier.

Beyond preserving the firsthand testimonies of participants and witnesses, individuals and societies must continually take responsibility for learning the painful lessons of the past in order to offer hope for the future. Survivor Café offers a clear-eyed sense of the enormity of our 21st-century human inheritance - not only among direct descendants of the Holocaust, but also in the shape of our collective responsibility to learn from tragedy.

Both a history and an examination of human thought and behavior spanning three thousand years, On Politics thrillingly traces the origins of political philosophy from the ancient Greeks to Machiavelli in Book I and from Hobbes to the present age in Book II. Whether examining Lord Acton's dictum that "absolute power corrupts absolutely" or explicating John Stuart Mill's contention that it is "better to be a human dissatisfied than a pig satisfied," Alan Ryan evokes the lives and minds of our greatest thinkers in a way that makes hearing about them a transcendent experience.

In this ground-breaking work, Norman Cantor explains how our current notion of the Middle Ages—with its vivid images of wars, tournaments, plagues, saints and kings, knights and ladies—was born in the 20th century. The medieval world was not simply excavated through systematic research. It had to be conceptually created: it had to be invented, and this is the story of that invention.

America has been regarded as a grand experiment in self-government. While the Greeks and Romans had failed to achieve this in their day, both societies nevertheless rose above their contemporaries and soared to new heights. So, when it came time for the American founders to try their hand at statecraft, they naturally opted to fuse elements of Greek democracy and Roman republicanism together to forge a new and lasting, American, democratic-republic. It was long before this experiment was put to the test, when in 1861, a great “civil war” broke out. We’ve been taught to believe that ...

Tacitus, who condemns the depravity of these rulers, which he saw as proof of the corrupting force of absolute power, writes caustically of the brutal and lecherous Tiberius, the weak and cuckolded Claudius, and "the artist" Nero. In particular, his account of the bloody reigns of Tiberius and Nero brims with plots, murder, poisoning, suicide, uprisings, death, and destruction. The Annals also provides a vivid account of the violent suppression of the revolt led by Boudicca in Britain, the great fire of Rome under Nero, and the subsequent bloody persecution of the Christians.

Captured by History is an autobiography like none other, for few historians have interviewed as many men and women who helped shape the most momentous events of our century than John Toland. Here, for the first time, Toland reveals how he found these key players and how he persuaded them to talk to him. From disgraced Japanese generals to the German doctor who nearly succeeded in assassinating Hitler, Toland’s sources are remarkable for what they reveal about their subjects, along with the secrets and stories they would tell no one else.

Richard J. Evans shows us how historians manage to extract meaning from the recalcitrant past. To materials that are frustratingly meager, or overwhelmingly profuse, they bring an array of tools that range from agreed-upon rules of documentation to the critical application of social and economic theory, all employed with the aim of reconstructing a verifiable, usable past. Evans defends this commitment to historical knowledge from the attacks of postmodernist critics who deny the possibility of achieving any kind of certain knowledge about the past.

Most historians, both ancient and modern, have viewed the Late Republic of Rome through the eyes of its rich nobility - the one percent of the population who controlled 99 percent of the empire's wealth. In The Assassination of Julius Caesar, Michael Parenti recounts this period, spanning the years 100 to 33 BC, from the perspective of the Roman people. In doing so, he presents a provocative, trenchantly researched narrative of popular resistance against a powerful elite.

Taking listeners from Thucydides to the origin of the French Revolution to the Civil War and beyond, James M. Banner, Jr., explores what historians do and why they do it. Banner shows why historical knowledge is unlikely ever to be unchanging, why history as a branch of knowledge is always a search for meaning and a constant source of argument, and why history is so essential to individuals' awareness of their location in the world and to every group and nation's sense of identity and destiny.

Our age is obsessed by the idea of conspiracy. We see it everywhere---from Pearl Harbor to 9/11, from the assassination of Kennedy to the death of Diana. In this age of terrorism we live in, the role of conspiracy is a serious one---one that can fuel radical or fringe elements to violence. For award-winning journalist David Aaronovitch, there came a time when he started to see a pattern among these inflammatory theories.

To understand something, you need to know its history. Right? Wrong, says Alex Rosenberg in How History Gets Things Wrong. Feeling especially well-informed after reading a book of popular history on the best-seller list? Don't. Narrative history is always, always wrong. It not just incomplete or inaccurate but deeply wrong, as wrong as Ptolemaic astronomy. We no longer believe that the earth is the center of the universe. Why do we still believe in historical narrative? Our attachment to history as a vehicle for understanding has a long Darwinian pedigree and a genetic basis.

In the 70 years since the demise of the Third Reich, there has been a significant transformation in the ways in which the modern world understands Nazism. In this brilliant and eye-opening collection, Richard J. Evans offers a critical commentary on that transformation, exploring how major changes in perspective have informed research and writing on the Third Reich in recent years. Drawing on his most notable writings, Evans reveals the shifting perspectives on Nazism's rise to political power, its economic intricacies, and its subterranean extension into postwar Germany.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

The First World War was four long years of slaughter, exhaustion, and the near-collapse of a civilization that until 1914 had dominated the globe. Instead of rote memorization of endless facts, figures, names, and places, why not show what happened from those that were there in the trenches, skies, and on the seas? What did they see, hear, and feel?

Howard Zinn, author of A People's History of the United States, tells his personal stories about more than 30 years of fighting for social change, from teaching at Spelman College to recent protests against war. A former bombardier in World War II, Zinn emerged in the civil rights movement as a powerful voice for justice. Although he's a fierce critic, he gives us reason to hope that by learning from history and engaging politically, we can make a difference in the world.

This national best seller is an entertaining, informative, and sometimes shocking expose of the way history is taught to American students. Lies My Teacher Told Me won the American Book Award and the Oliver Cromwell Cox Award for Distinguished Anti-Racist Scholarship.