Showing titles in Theater

Reasons why our musical is going to be amazing: I could be the star; Landon could be my co-star...which means we'll hang out together; working on the sets, props, music, script, and costumes will be tons of fun; there's so much to do, I'd better get started! Between her crush, the musical, and her friends--not to mention school work---Zee is torn in a thousand different directions. With all the real-life drama going on, will she lose sight of what's really important?

Kylie Jean's class is performing Alice in Wonderland! Kylie Jean knows she'd be just perfect as the Queen of Hearts. But mean girl Paula wants the part too....

Twelve-year-old Mattie is thrilled when she learns the eighth-grade play will be Romeo and Juliet. In particular, she can't wait to share the stage with Gemma Braithwaite, who has been cast as Juliet. Gemma is brilliant, pretty - and British! - and Mattie starts to see her as more than just a friend. But Mattie has also had an on/off crush on her classmate Elijah since, well, forever. Is it possible to have a crush on both boys and girls?

Meet Holling Hoodhood, a seventh-grader at Camillo Junior High who must spend Wednesday afternoons with his teacher, Mrs. Baker, while the rest of the class has religious instruction. Mrs. Baker doesn’t like Holling - he’s sure of it. Why else would she make him read the plays of William Shakespeare outside class? But everyone has bigger things to worry about, like Vietnam.

With her irresistible urge to tell a joke in every situation—even when she really, really shouldn't—twelve-year-old Jacky Ha-Ha loves to make people laugh. And cracking wise helps distract her from thinking about not-so-funny things in her life, like her mom serving in a dangerous, faraway war, and a dad who's hardly ever home.

After a successful first competition, twelve-year-old Harper is eager to keep on making her mark in Dance Starz. But lately, she's having a bit of "dancer's block." In her one-on-one with her teacher, Harper is reminded that dancing isn't just about the spins and leaps; it's about the emotion and passion for dancing, too. And lately, she hasn't felt that Harper has been living up to her usual standards. Vanessa will be choosing the first soloist to compete at the next competition for the team, and suggests to Harper that she find a way to figure out how to get that mojo back.

It’s the beginning of eighth grade, and Nat Beacon is nervous. Not only will she be the New Kid, but the New Kid in a Wheelchair. And the school year starts off rocky: No one seems friendly, and she can’t get to the cafeteria without help. But there are a few bright spots. Namely, her best friend, Hudson; her boyfriend (swoon!), Malik; and her very favorite thing: theater. This year, there’s a middleschool theater competition, and any production that wins their regional competition will get the chance to perform—on a real Broadway stage!

Max's parents are missing. They are actors, and thus unpredictable, but sailing away, leaving Max with only a cryptic note, is unusual even for them. Did they intend to leave him behind? Have they been kidnapped? Until he can figure it out, Max feels it's safer to keep a low profile. Hiding out is no problem for a child of the theater. Max has played many roles, he can be whoever he needs to be to blend in. But finding a job is tricky, no matter what costume he dons. Ironically, it turns out Max has a talent for finding things.

Jacky Hart finally knows the thrill of having people laugh with her (not at her). She tries to put her comedy and theater skills to use in her summer job—but the boardwalk crowds aren’t exactly adoring. So Jacky jumps at the opportunity of a lifetime: an all-expense paid trip to theater camp! When Jacky gets to Camp Footlights, she realizes she’s way out of her depth. The highly trained campers all seem to know everything about performing, and exactly how to command the spotlight.

Allie is crushed when she is cast as the evil queen in the fourth grade class play. But she soon learns it's the size of the heart, not the size of the part that matters.

When Lisa takes Corduroy to the theater for the very first time, it’s so magnificent and exciting that he just can’t help heading out on his own to explore. From the orchestra pit to the prop table to the dressing rooms, Corduroy sees it all. Could there be a place for Corduroy on stage, too? Fifty years after this lovable, inquisitive teddy bear was first introduced, he’s now the star of the show. Author Viola Davis uses her own experience as an Emmy, Tony, and Oscar award-winning actress to imbue Corduroy’s adventure with all the magic of the stage. 

The Boxcar Children have a chance to be in a real play - The Wizard of Oz! Jessie is chosen for the Cowardly Lion. Benny will play a munchkin. Even Watch has a part and all the Aldens are helping with the show. Then mysterious things begin to happen. Someone makes a threatening phone call and a costume is destroyed. Maybe the show won’t go on - unless the Boxcar Children can solve the mystery before opening night!

Hi there, I’m Hank. Here’s what you need to know about me: I don’t try to make the kids in my class laugh, but somehow I do. Spelling is my worst subject. (Come to think of it, so are math and reading!) I try hard - I really do. So why does my brain always freeze into a popsicle? When Hank hears that his class is putting on a play, he’s the only one who’s not excited. That’s because every time he tries to read the script, his brain swirls, and it feels like his head is filled with soggy oatmeal! Can Hank get his act together and get a part?

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time 400 years - to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life - in none other than William Shakespeare.

Shut up in a trunk by a taciturn old sea captain with a secret, five friends—a king, a wolf, a girl, a boy, and an owl—bicker, boast, and comfort one another in the dark. Individually, they dream of song and light, freedom and flight, purpose and glory, but they all agree they are part of a larger story, bound each to each by chance, bonded by the heart’s mysteries. When at last their shared fate arrives, landing them on a mantel in a blue room in the home of two little girls, the truth is more astonishing than any of them could have imagined.

When orphans Sorrel, Mark, and Holly are sent to live with their grandmother, a famous English actress, she enrolls them in the Children's Academy of Dancing and Stage Training, the same academy that made the orphans from Ballet Shoes famous so long ago. It's the chance of a lifetime, but the academy won't give the children the "proper" education their parents would have wanted. However, the children learn to love the academy when they find out that Sorrel has dramatic flair, Mark can sing, and Holly charms everyone with her adorable, impish ways.

World War I has ended, and the five All-of-a-Kind girls are growing up! The oldest, Ella, is a young lady with dreams of singing and dancing in the theater. But she also thinks of Jules, who is returning from the war, so marriage is in the air, as well. Suddenly, however, Ella is discovered by a Broadway talent scout, and it seems that she will have her chance at a theatrical career after all. Will Ella choose Jules or vaudeville? Here is another charming tale of the warm, caring family that fans have loved for years!

This box set brings the Bard's timeless tales to life for a younger generation, with wit and panache. Samantha Newman's cleverly reworked text retains many of Shakespeare's own inimitable turns of phrase, while simplifying and clarifying the language and plots to make stories accessible to children. Perfect for children aged 7+.

It's spring break, and Stink is faced with a difficult choice: hang out at home with his sister, Judy, or become a Shakespeare Sprite with his friend Sophie of the Elves. Hanged be! When Sophie tells Stink that there will be swordplay and cursing at Shakespeare camp, his choice is made. But wait! How now? The eager young thespian hadn't counted on Riley Rottenberger being a Sprite, too. And he positively had not counted on being the only boy! Fie upon't!

Laura Amy Schlitz wrote the Newbery Medal winner Good Masters! Sweet Ladies! for the students at the school where she is a librarian. The 22 monologues introduce readers to everyone in a medieval village, from the town half-wit, to Nelly the Sniggler, to the Lord's daughter.