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In the small coastal city of Oran, Algeria, rats begin rising up from the filth, only to die as bloody heaps in the streets. Shortly after, an outbreak of the bubonic plague erupts and envelops the human population. Albert Camus' The Plague is a brilliant and haunting rendering of human perseverance and futility in the face of a relentless terror born of nature.

Many of us know the Black Death as a catastrophic event of the medieval world. But the Black Death was arguably the most significant event in Western history, profoundly affecting every aspect of human life, from the economic and social to the political, religious, and cultural. In its wake the plague left a world that was utterly changed, forever altering the traditional structure of European societies and forcing a rethinking of every single system of Western civilization: food production and trade, the church, political institutions, law, art, and more.

A plague has fallen across the land. Slaughter fills the streets. All seems lost. After Great Britain is hit by a devastating epidemic, four old friends must cross the war-torn country to get home to their families. But in order to reach their loved ones, they must journey through towns, villages and countryside teeming with the monstrous Infected - mutated people whose only desires are to infect and feed. Run and hide. Seek shelter. Pray for salvation. The last plague is here.

It's been eight months since all the adults disappeared. Gone. They've survived hunger. They've survived lies. But the stakes keep rising, and the dystopian horror keeps building. Yet despite the simmering unrest left behind by so many battles, power struggles, and angry divides, there is a momentary calm in Perdido Beach. But enemies in the FAYZ don't just fade away, and in the quiet, deadly things are stirring, mutating, and finding their way free.

A warm day in Dublin, a crowded street corner. Suddenly, a car-bomb explodes, killing and injuring scores of innocent people.From the second-floor window of a building across the street, a visiting American watches, helpless, as his beloved wife and children are sacrificed in the heat and fire of someone else's cause.

On July 22, 2009, a special meeting was held with 24 leading scientists at the National Institutes of Health to discuss early findings that a newly discovered retrovirus was linked to chronic fatigue syndrome (CFS), prostate cancer, lymphoma, and eventually neurodevelopmental disorders in children. When Dr. Judy Mikovits finished her presentation the room was silent for a moment, then one of the scientists said, "Oh my God!" The resulting investigation would be like no other in science.

London's Great Plague of 1665 devastated the city, as Europe's final bubonic outbreak killed thousands of helpless citizens. Daniel Defoe, author of the classic Robinson Crusoe, was five years old when the Plague swept through London, and grew up hearing many stories - some truthful, others exaggerated - of its deadly effects. Blending those anecdotes with his childhood recollections and factual data from government registers, Defoe wrote this comprehensive account of what happened to London in 1665.

For 30 years, they have avoided the outbreak of walking death that has consumed America's heartland. They have secured a small compound near the ruins of Tulsa, Oklahoma. Isolated from the world, they have remained blissfully unaware of what lies outside in the region known as the Dead Lands. Until now. Led by a military vet who's seen better days, the inexperienced offspring of the original survivors form a small expedition to explore the wastelands around them. Small pockets of humanity hide in the shadows: some scared, some mad, all dangerous. This is the New World.

The story of viruses and humanity is a story of fear and ignorance, of grief and heartbreak, and of great bravery and sacrifice. Michael Oldstone tells all these stories as he illuminates the history of the devastating diseases that have tormented humanity, focusing mostly on the most famous viruses. For this revised edition, Oldstone includes discussions of new viruses like SARS, bird flu, virally caused cancers, chronic wasting disease, and West Nile. Viruses, Plagues, and History paints a sweeping portrait of humanity's long-standing conflict with our unseen viral enemies.

In The Black Death: New Lessons from Recent Research, celebrated medievalist Dorsey Armstrong shares the fascinating new story of this old pandemic—revealed by dedicated researchers working with 21st-century technologies and a knowledge of language and history that now provide input from all geographic areas of the medieval world. In seven engaging lectures, Professor Armstrong corrects explanations of the pandemic that are now known to be inaccurate and offers a more robust description of plague biology than has ever been known. 

According to the accepted narrative of progress, humans have thrived thanks to their brains and brawn, collectively bending the arc of history. But in this revelatory book, Professor Jonathan Kennedy argues that the myth of human exceptionalism overstates the role that we play in social and political change. Instead, it is the humble microbe that wins wars and topples empires.

In this tale of adventure, murder, snakes, revenge, and zombies, the Royal Governor of Jamaica sends an S.O.S. to London, asking urgently for help in putting down a burgeoning slave rebellion. London replies by sending Lieutenant-Colonel Lord John Grey, with half a battalion of infantry, a company of artillery, and his trusty valet, Tom Byrd.

In Marbella, Spain, Dr. Kate Warner awakens to a horrifying reality: the human race stands on the brink of extinction. A pandemic unlike any before it has swept the globe. Nearly a billion people are dead--and those the Atlantis Plague doesn't kill, it transforms at the genetic level. A few rapidly evolve. The remainder devolve. As the world slips into chaos, radical solutions emerge. Industrialized nations offer a miracle drug, Orchid, which they mass produce and distribute to refugee camps around the world. But Orchid is merely a way to buy time. It treats the symptoms of the plague but never actually cures the disease.

It can come in waves - like tidal waves. It changes societies. It disrupts life. It ends lives. As far back as 3000 B.C.E. (the Bronze Age), plagues have stricken mankind. COVID-19 is just the latest example, but history shows that life continues. It shows that knowledge and social cooperation can save lives. Viruses are neither alive nor dead and are the closest thing we have to zombies. Their only known function is to replicate themselves, which can have devastating consequences on their hosts.

At first the rules were simple: quarantine the city and let the plague die. So men and women closed their doors and lived in lockdown, fighting for survival against a disease as contagious and destructive as the Black Death. A disease for which there was no known cure. But the plague did not die. And so, at lunchtime on a Friday afternoon, the president announces the new rules. Every American should take up arms to protect the disease-free zones. Anyone attempting to leave the plague-zone must be shot.

Much of what we know about the greatest medical disaster ever, the Black Plague of the fourteenth century, is wrong. The details of the Plague etched in the minds of terrified schoolchildren the hideous black welts, the high fever, and the final, awful end by respiratory failure are more or less accurate. But what the Plague really was, and how it made history, remain shrouded in a haze of myths.

Can they stop the killer before the final plague?Marc and Gillian Thayer's vacation resort becomes a grisly murder scene--a killer is using the ten plagues of Egypt as his playbook for revenge. When their friend turns up dead, Marc and Gillian enlist the help of a retired homicide detective to investigate the bizarre plagues. Meanwhile, more trouble heads their way. A stranger is after the Thayers' newly adopted baby, and a new Bible translation team based at the resort draws fire from angry protesters when they propose to merge the Bible with the Qur'an. As the stakes increase with each ...

If it doesn't kill you, someone infected with it will. Bleeders: A Rising Storm continues the saga of Brody Tate where The Red Death left off. Both he and his trusty companion Jeremiah have survived the Red Flu, yet they aren't the same people they were before the infection. Their sleep is plagued with nightmares, and their waking hours prone to violent outbursts of almost inhuman levels. After having their escape from New York City go south, the two men are on their own again, making their way back toward the food bank where they'd once found safe haven. On the way they stop to rescue a ...

In the years between World War II and the emergence of television as a mass medium, American popular culture as we know it was first created in the bold, pulpy pages of comic books. The Ten-Cent Plague explores this cultural emergence and its fierce backlash while challenging common notions of the divide between "high" and "low" art.

This sweeping exploration of the impact of epidemic diseases looks at how mass infectious outbreaks have shaped society, from the Black Death to today, and in a new preface addresses the global threat of COVID-19. In a clear and accessible style, Frank M. Snowden reveals the ways that diseases have not only influenced medical science and public health, but also transformed the arts, religion, intellectual history, and warfare.