The Last Tycoon, edited by the renowned literary critic Edmund Wilson, was first published a year after Fitzgerald's death and includes the author's notes and outline for his unfinished literary masterpiece. It is the story of the young Hollywood mogul Monroe Stahr, who was inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.
Discretion, secrecy, and subtle strategy were the weapons of choice at Wall Street investment bank Lazard Frères & Co. For more than a century, the mystique and reputation of the "Great Men" who worked there allowed the firm to garner unimaginable profits, social cachet, and outsized influence in the halls of power. But in the mid-1980s, their titanic egos started getting in the way, and the Great Men of Lazard jeopardized all they had built.
"Well written, but without a point"
F Scott Fitzgerald's last and unfinished novel, a gorgeous, excruciating, heady tale based on his painful experiences working as a Hollywood screenwriter. Haunted by the death of his wife, 1930s studio head Monroe Stahr works 18-hour days, crammed with meetings, set visits, script brainstorms and screenings. The "last of the princes", he's making the studio millions and seems bulletproof. Then one day, an earthquake breaks two water mains, sending a river of water through the studio.
Fifty years after the Cuban revolution, the legendary wealth of the sugar magnate Julio Lobo remains emblematic of a certain way of life that came to an abrupt end when Fidel Castro marched into Havana. Known in his day as the King of Sugar, Lobo was for decades the most powerful force in the world sugar market, controlling vast swaths of the island's sugar interests.
"Gossipy, shallow; but with limited virtue"
Roman Ficdzheral'da "Posledniy magnat" (opublikovan v 1941 g.), ostavshiysya nezakonchennym iz-za ranney smerti pisatelya, zanimaet klyuchevoe mesto v ego nasledii. Rasskaz o zhizni izvestnogo rukovoditelya kinostudii podvodit svoeobraznyy itog central'noy teme tvorchestva Ficdzheral'da, - krahu "amerikanskoy mechty". Za vneshnimi uspekhami Stara kroetsya bezmernaya ustalost', ravnodushie, neumenie zhit' gluboko i radovat'sya zhizni.