Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family's Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter's abilities.
Alessandra is not quite fifteen when her prosperous father brings a young painter back from Holland to adorn the new family chapel. Fascinated by his ability she is lured into closer involvement. On the streets of Florence she observes a terrible evil stalking the city and a fiery priest, who has set out to rid the city of vice, even art itself.
"birth of new insight"
Alessandra is not quite fifteen when her prosperous merchant father brings a young painter back with him from Holland to adorn the walls of the new family chapel. She is fascinated by his talents and envious of his abilities and opportunities to paint to the glory of God. Soon her love of art and her lively independence are luring her into closer involvement with all sorts of taboo areas of life.
"Incoherent abridgement - ludicrious references"
La nascita di Venere di Sandro Botticelli è un'immagine senza tempo, espressione di un senso estetico astratto, che si rifà alla mitologia per proiettarsi in una dimensione eterna. Allo stesso tempo, quest'opera è forse l'espressione più compiuta di un ambiente sociale e culturale ben definito: la Firenze degli ultimi decenni del Quattrocento.