Showing results by author "Mary Anna Evans" in All Categories

Archaeologist Faye Longchamp and her friend Joe Wolf Mantooth have traveled to Neshoba County, Mississippi, to help excavate a site near Nanih Waiya, the sacred mound where tradition says the Choctaw Nation was born. When farmer Carroll Calhoun refuses their request to investigate a nearby mound on his land, Faye and her colleagues are disappointed, but his next action breaks their hearts: He tries to bulldoze the huge relic to the ground. Faye and Joe rush to protect history - with their bodies, if necessary.

Faye Longchamp, back in school to pursue her archaeological aspirations, has landed a job as chief archaeologist for a rural development project, so she heads to the hills of Alabama with Joe, her Cherokee assistant. She’s looking forward to a legitimate dig and hopes to uncover the mystery of the Sujosa, an ethnic group of mysterious origin. The Sujosa have lived in Alabama’s most remote hills for centuries and have shown an impressive immunity to many diseases, including AIDS.

Faye Longchamp has lost nearly everything, except for her quick mind and a grim determination to keep her ancestral home, Joyeuse, a moldering plantation. When the property taxes rise beyond her means, Faye sets out to save Joyeuse by digging for artifacts on her property and the surrounding national wildlife refuge and selling them on the black market. A tiny bit of that dead glory would pay a year’s taxes, and a big, valuable chunk of the past would save her home forever. But instead of potsherds and arrowheads, she uncovers a woman’s shattered skull, a Jackie Kennedy-style earring nestled against its cheek bone.

Estella Ecker has returned to Rockfall House, the last place on earth she wants to be. Years after she ran away from her overbearing father, she has been forced back home to walk in his footsteps, teaching at the college he dominated and living in the fabulous home where he entertained artists and scholars for decades—and perhaps she owns it now, because her mercurial mother has disappeared. At the center of everything—the whispers, the rumors, the secrets—is her father’s library of rare books, which she had been forbidden to touch while he was alive to stop her.

Time is not on Faye Longchamp’s side. She and her husband Joe are working near the mouth of the Mississippi, researching archaeological sites soon to be swamped by oil. The Deepwater Horizon disaster has morphed her run-of-the-mill contract job into a task that might swamp her fledgling company. It isn’t helping that an injured babysitter has left Faye to work with a toddler underfoot.

Inside the walls of Arlington Hall, a former women's college in Virginia that has been taken over by the United States Army, hundreds of men and women sit, bent over stacks of paper. Pencils in hand, they labor to decode countless pieces of communication coming from the Axis powers. Justine works among them, handling the most sensitive secrets of World War II. But she isn't there to decipher German codes. She's there to find a traitor.

A deafening explosion rocks a historic Oklahoma City hotel, sending archaeologist Faye Longchamp-Mantooth crashing to the lobby floor. Faye's in town for a conference celebrating indigenous arts but is soon distracted by the aftermath of the explosion, which cracks open the hotel’s floor to reveal subterranean chambers that had housed Chinese immigrants a century before. Faye's fascinated by the tunnels, which are a time capsule back to the early 20th century - but when the bodies of three children are discovered deep beneath the city, her sense of discovery turns to one of dread.

Faye Longchamp’s new archaeological firm has landed a project in St. Augustine, Florida. In four centuries, America’s oldest city has accumulated skeletons that should probably stay buried. Within a day of Faye’s arrival, a woman disappears, leaving behind blood, priceless artifacts, and a note asking for Faye’s help.

Faye Longchamp is overjoyed to be paid to do archaeological work she would have done anyway - excavating a site that was once her family's. But that joy ends abruptly when intruders break into a dear friend's house and leave him dead among the scattered remains of Faye's artifacts.

New Orleans, 1944. Sabotage—that's the word on factory worker Justine Byrne's mind as she is repeatedly called to weld machine parts that keep failing with no clear cause. Could someone inside the secretive Carbon Division be deliberately undermining the factory's war efforts? Raised by her late parents to think logically, she also can't help wondering just what the oddly shaped carbon gadgets she assembles day after day have to do with the boats the factory builds....

Faye Longchamp doesn't believe in ghosts. But she's an archaeologist - dead people are her life. While working in Rosebower, a rural New York town founded by spiritualists, Faye is surrounded by people who talk to the dead on a regular basis. When the most influential spiritualist in town, Tilda Armistead, invites Faye and her project assistant to commune with the dead, she can't say no. An hour later, her crystal ball shows Faye things no rational mind can explain. Tilda is dead.

Archaeologist Faye Longchamp-Mantooth has dug herself a deep hole, and she can't make her way out of it. As she struggles to recover from a shattering personal loss, she sees that everyone she loves is trying to reach out to her. If only she could reach back. Instead, she's out digging holes all over her home, the Florida island of Joyeuse.

The suspicious drowning death of Captain Edward Eubank breaks archaeologist Faye Longchamp’s heart. It also confuses her, because he was found in scuba gear and she’s never heard him even mention scuba diving. During their last conversation, he told her that he believed he’d found a storied shipwreck, but when Faye checks it out she finds nothing there—not a plank, not a single gold coin, nothing. If there’s no treasure, then why is her friend dead? But the situation quickly escalates beyond a murder mystery.

Larabeth McLeod has beauty, money, several patents, a PhD, a successful environmental firm, and some very old secrets. When a man with the uncomfortable name of Babykiller begins stalking her, terrorizing her with stories of her darkest days in Vietnam, stories no one else knows, she feels compelled to fight back...until he exposes her most tender secret of all by threatening the daughter she has never met. She turns to private detective J.D. Hatten for help, breaking five years of separation and silence between quarreling friends. But then Babykiller shows his true capabilities.

In New Orleans, the intersection between the past and the present is all too often deadly. Archaeologist Faye Longchamp and her excavating team are horrified when a corpse surfaces that's far too new to be an archaeological find. Faye and her fiancé, Joe Wolf Mantooth, are drawn into the investigation by a detective who believes their professional expertise is critical to the case.

Faye has traveled to Memphis, a city steeped in music, poverty, history, and the smoky tang of barbecue. She's there working alone to do an assessment of a site, welcome work for her small archaeological consulting firm. When Faye spies a child too young to be wandering along a creek alone, she follows the girl. A day later she uncovers a dying woman, buried alive near a spot where Kali might well be hiding. Nobody would blame Faye for running hard, but she can't make herself leave Kali, the woman's now-orphaned daughter, who might be in danger.

Faye Longchamp-Mantooth, who runs a small archaeological consulting firm, is in Oklahoma so she and Joe can join his father, Sly Mantooth, in dispersing his mother's ashes. While there, Faye is serving as archaeology consultant on the reopening of a site closed down decades before when an archaeologist disappeared. The Muscogee Creek Nation intends to create a park, if nothing sacred lies in the soil. But the bones that emerge as the backhoe completes its work prove to be those of Dr. Sophia Townsend, killed by a blow to the head.