Showing results for "Yellow" in All Categories

Oliver Fitch has a troubling issue: He lives in a state of constant terror. After purchasing a convenience store in a once civil society, the streets around him have rapidly devolved into utter lawlessness. They're now festering with sinister gutter scum that live only to harass and intimidate him. His pathetic profits are gouged under the threat of violence, and there isn't a damn thing he can do about it. Because in a city with no rules, where the sun never shines, the authorities are no help. In fact, they're an equal part of the problem.

Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation, belonging to neither world. She’d been promised freedom on her eighteenth birthday, but instead of the idyllic life she imagined with her true love, Essex Henry, Pheby is forced to leave the only home she has ever known. She unexpectedly finds herself thrust into the bowels of slavery at the infamous Devil’s Half Acre.

Winner of an Obie and a finalist for the Pulitzer Prize, and directed by Tony nominee Leigh Silverman, Yellow Face is as timely as ever, wrestling with issues of cultural appropriation, complicity, and artistic freedom. It’s brought to life in this audio-only revival by a stunning all-star cast (many playing themselves) led by Daniel Dae Kim.

While surviving life-threatening adventures at sea, Captain Jack Aubrey and Dr. Stephen Maturin find life on land to be even more perilous. Aubrey has dimmed his prospects of an admiralty by his erratic voting in Parliament. He is on even worse terms with his wife, Sophie, when his mother-in-law ferrets out a trove of old personal letters. Fortunately, Maturin brings news that the Chileans need the two seafaring friends to train their navy.

In the South Carolina Hills, along the Savannah River Watershed, in the fall of 1829, 14-year-old, three-quarter Cherokee Sahani, whose Christian name is Charity, sets out on a journey with her 83-year-old white grandfather to Fort Charlotte for what she thinks is a trip to trade the pelts he has accumulated in order to replenish their supplies. However, Charity soon discovers that her grandfather's objective in making this trip is to get her married off and settled somewhere.

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.

There is a book that is shrouded in mystery. Some even say it's a myth. Within its pages is a play - one that brings madness and despair to all who read it. It is the play of the King in Yellow, and it will haunt you for the rest of your days. The King in Yellow is a collection of stories interwoven loosely by the elements of the play, including the central figure himself.

At twenty-two, free-spirited Amber Farrow has no concerns beyond finishing her final year of nursing on exchange in Australia. What she hasn't counted upon is crossing paths with Griffin Lee. Amber and Griffin's two hearts are clearly made for each other. But where Griffin is inclined to put down roots, Amber has always been a citizen of the world, treading lightly upon the earth, never staying too long in one place. Before long, Amber's inability to be still leaves Griffin behind.

When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher “KC” Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone.

A woman and her husband rent a summer house, but what should be a restful getaway turns into a suffocating psychological battle. This chilling account of postpartum depression and a husband's controlling behaviour in the guise of treatment will leave you breathless.

"Yellowjacket Summer”, a story by Robert McCammon, was originally published in The Twilight Zone magazine, October 1986.

In Yellow Jessamine, shipping magnate Evelyn Perdanu controls the dying city of Delphinium with trade deals and secrets. But when mysterious sickness sparks death and obsession, all leading back to her, Evelyn's brittle existence is strained to breaking. She retreats to her estate, amidst paranoia and poisonous secrets, intent on rooting out this plague before it destroys everything she has built.

Step into the peeling corners of a sunlit nursery where shadows weave stories, and the wallpaper whispers secrets to the solitary occupant. The Yellow Wallpaper is a haunting exploration of the fine line between reality and madness, told through the intimate, unraveling voice of a woman confined by both a stifling room and the suffocating norms of her time. In this groundbreaking work, Gilman transforms the mundane into the menacing, using the seemingly innocent patterns of wallpaper to reveal a tapestry of despair, resilience, and suppressed creativity.

As far as Carol Spencer is concerned, the war has spoiled everything. She and Don had been engaged for years and were on the verge of marriage when he was shot down in the South Pacific, leaving Carol on the verge of spinsterhood at 24. She wants to take some kind of job in the war effort, but her invalid mother demands that Carol accompany her to the family's summer home in Maine. But when they arrive at the faded mansion, they find it completely locked up. The servants are gone, the lights are dark - and there is a body in the closet.

Adichie illuminates a seminal moment in modern African history: Biafra’s impassioned struggle to establish an independent republic in southeastern Nigeria during the late 1960s. We experience this tumultuous decade alongside five unforgettable characters: Ugwu, a 13-year-old houseboy working for Odenigbo, a university professor full of revolutionary zeal; Olanna, the professor’s beautiful young mistress who's abandoned her life in Lagos for a dusty town and her lover’s charm; and Richard, a shy young Englishman infatuated with Olanna’s willful twin sister Kainene.

Shotgun, Texas didn’t come by its name accidentally. In this Wild West town, shootouts are commonplace. Trying to keep peace in this rough place is Liberty Drake, a sharpshooting female deputy who has no trouble holding her own—until she meets Slater Rawlings, a handsome ex-Texas Ranger. As their love grows, Slater wants Liberty as his wife. But he also wants her to give up her gun and badge. Caught between her heart and her job, Liberty asks God for guidance. All the emotions and struggles the young couple face are fully captured by Ed Sala’s dramatic narration.

Introduces some common objects that are yellow in color including mustard, lemons, and hard hats.

The renowned author of Brave New World, Aldous Huxley, made his literary debut with the 1921 classic Crome Yellow. Set in post-WWI England, this perennial favorite satirizes the fads and fashions of the time with the tale of a hapless couple who join a colorful mix of British aristocrats attending a party at a rural country estate.

Moments after Lisbeth is born, she’s taken from her mother and handed over to an enslaved wet nurse, Mattie, a young mother separated from her own infant son in order to care for her tiny charge. Thus begins an intense relationship that will shape both of their lives for decades to come. Though Lisbeth leads a life of privilege, she finds nothing but loneliness in the company of her overwhelmed mother and her distant, slave-owning father.

In this staggering work of documentary and poetry, Mai Der Vang reopens a wrongdoing that deserves a new reckoning. As the US abandoned them at the end of the Vietnam War, many Hmong refugees recounted stories of a mysterious substance that fell from planes during their escape from Laos in the mid-1970s. This substance, known as "yellow rain," caused severe illnesses and thousands of deaths. These reports prompted an investigation into allegations that a chemical biological weapon had been used against the Hmong in breach of international treaties.