The story begins with an investigation into some strange reports of an "opera ghost", legendary for making the great Paris opera performers ill-at-ease when they sit alone in their dressing rooms. Some allege to have seen the ghost in evening clothes moving about in the shadows. Nothing is done, however, until the disappearance of Christine during her triumphant performance.
"Phantom of the Opera"
In a Paris Opera House, Chorus singer Christine Daaé develops a relationship with a disfigured Phantom, who she believes to be the Angel of Music, promised to her by her late father. The Phantom tutors Christine, but the relationship breaks down when the Phantom discovers Christine's love for her childhood sweetheart Raoul. Who will win Christine's heart and with what consequence?
A malicious spectre haunts the Parisian Opera house. This murderous fiend speaks through walls, abducts innocents through mirrors, and holds the opera management in a cruel state of hostage. But when this monster falls for the beautiful Christine Daae, his powers of attractive enticement and malevolent mayhem all come to the surface. Who can put an end to this reign of terror? Discover the wonders of Gaston Leroux's gothic thriller in a way that will tantalize the senses.
"An Unexpected Pleasure!"
In the cosmopolitan Paris of the 1880s, the new proprietors of the Opera House are amused to discover that their costly acquisition is said to be haunted. But their smiles quickly vanish as tragedy follows misfortune: a murdered stagehand, a fatal accident, a missing girl. Fearful tales of the Opera Ghost race through the corridors and dressing rooms of the theatre. And with good reason - for deep in the catacombs beneath the Opera House, something is stirring.
"Enjoyable and fun!"
Christine is a young singer in the chorus at the Paris Opera. She hears an unseen voice that sings and speaks to her, which she believes is an angel. The voice agrees with this and offers to teach her more about music. The voice, however, belongs to a disfigured genius, Erik, who lives in the basement of the Opera house.
Eric possessed many truly brilliant and extraordinary abilities including musical genuis. Being outcast from society for his ugliness, Eric was forced to wander from one country to another. When in France, he worked at fairs demonstrating tricks and ventriloquism. Later he became a bricklayer and was engaged in building the Paris Opera House. Upon completion of the construction, Eric decided to hide from the world in the cellars of the Opera and turned this great building into his own empire.
The Phantom of The Opera is a gothic novel, combining romance, horror, mystery, and tragedy. The story is about a mysterious figure who terrorizes a Paris Opera House for the unwitting benefit of a young singer he loves.
This radio dramatization of the classic movie, which also starred Nelson Eddy, originally aired on September 13, 1943.
It is 1880, in the Opera House in Paris. Everybody is talking about the Phantom of the Opera, the ghost that lives somewhere under the Opera House. The Phantom is a man in black clothes. He is a body without a head, he is a head without a body. He has a yellow face, he has no nose, he has black holes for eyes. Everybody is afraid of the Phantom – the singers, the dancers, the directors, the stage workers.
In this time-honored story of horror, a ghost is thought to be the cause of the discomfort of performers in the Paris Opera House. Then the beautiful star disappears.
Gaston Leroux's phenomenal novel, which inspired the hit Broadway musical, remains one of the most original suspense stories ever written. Erik, a brilliant but hideously disfigured musical genius, lives in the basement of Paris's National Academy of Music, where he haunts the opera crowd in his mask and fancy clothes. A haunting tale of obsession, a touching story about internal beauty, and a top-notch detective drama, The Phantom of the Opera is a remarkable novel, narrated to perfection by Henry Butler.
"Great narration of one of my favorite books ever"
A baffling series of incidents at the majestic Paris Opera sparks frightening rumors about a mysterious opera ghost. A young and beautiful prima donna is visited by a masked "Angel of Music" who teaches her to sing and jealously demands her devotion. Is it a ghost, an angel or a man? And what does the mask conceal?
Es ironico que de las decenas de obras que escribiera el novelista frances Gaston Leroux la que le ha dado inmortalidad es el clasico del horror llamado El fantasma de la opera, la historia de un artista desfigurado que se oculta en las catacumbas de la Opera de Paris para vengarse contra el mundo, hasta el dia que se enamora de una bella cantante, que cambia por completo el curso de su vida.
"Muy buen libro, buena narracion"
This 19th century French thriller tells of the mysterious Erik, grotesque and elusive "phantom," who hides himself from the world in the labyrinthine bowels of the Paris Opera and entices with his angelic voice the beautiful opera singer Christine. Her abduction prompts a dramatic search not only for her, but also for the truth about her strange captor.
The actors, singers, and patrons of the Paris Opera House say that a ghost haunts the labyrinthine chambers beneath its stage. While there are those who laugh off such superstitions, they always do so nervously, in the bright light of day. Nearly everyone connected with the Opera House in any way has felt the phantom's vague, troubling presence. But beautiful, talented young singer Christine Daae will soon experience a terror far more acute than any vague feeling of unease.
En esta obra Maquiavelo enumera las condiciones que han de caracterizar a un príncipe, entendida esta figura como la cabeza o jefe del Estado. Podemos decir que es un libro práctico, pues pretende dar normas de acción. Intentó el autor teorizar sobre la naturaleza del Estado, sobre la sociedad en que se sustenta y sobre todo en las formas de adquirir y perder el poder y las formas de mantenerse en él.
This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.
The Phantom of the Opera goes to New York. Forsyth picks up the story following the phantom's escape to the New World, where he begins his new and secret life in a place where he carves out a kingdom of fortune and power. He builds the most glittering opera house in the world, a place to lure Christine.
The show must go on, as murder, music, and mayhem run riot in the night. The Opera House, Ankh-Morpork, is a huge, rambling building, where innocent young sopranos are lured to their destiny by a strangely familiar evil mastermind in a hideously deformed evening dress.
"This book flies"