Why we think it’s a great listen: The best book club you’ve never heard of – but will be eager to join, courtesy of a full cast of true characters. January 1946: London is emerging from the shadow of the Second World War, and writer Juliet Ashton is looking for her next book subject. Who could imagine that she would find it in a letter from a man she's never met, a native of the island of Guernsey, who has come across her name written inside a book by Charles Lamb....
"MUCH better than I ever expected! Give it a try!"
They are icons of the literary world whose soaring works have been discussed and analyzed in countless classrooms, homes, and pubs. Yet for most listeners, the living, breathing human beings behind the classics have remained unknown - until now. In this utterly captivating audiobook, Dr. Elliot Engel, a leading authority on the lives of great authors, illuminates the fascinating and flawed members of literature's elite. In lieu of stuffy biographical sketches, Engel provides fascinating anecdotes.
"Great introduction to some of the best."
What exactly is the Western literary canon? Why does it contain certain works and not others? And what do particular works in the Western canon tell us about the development of literature and civilization? Explore these and other thought-provoking lectures with a thorough investigation of more than 30 key works of the Western canon and the critical roles they played-and continue to play-in the development of Western literature.
"Nice set of lectures"
What is literary theory? Is there a relationship between literature and culture? These are some of questions addressed by Jonathan Culler in this new edition of his highly popular Literary Theory: A Very Short Introduction. Culler, an extremely lucid commentator and much admired in the field of literary theory, uses easy-to-grasp examples as he outlines the ideas behind schools of criticism that can otherwise be quite daunting, such as deconstruction, semiotics, and postcolonial theory.
From the anonymous author of the Epic of Gilgamesh in ancient Mesopotamia to William Faulkner writing about Mississippi 3,600 years later, many of Western culture's greatest figures have been writers. Their landmark themes, unique insights into human nature, dynamic characters, experimental storytelling techniques, and rich philosophical ideas helped create the vibrant storytelling methods we find reflected in today's authors.
January 1946 and writer Juliet Ashton receives a letter from a man in Guernsey, who has found her name written inside a book. As they exchange letters, she is drawn into the eccentric world of The Guernsey Literary and Potato Peel Pie Society, which boasts a charming cast of characters, from pig farmers to phrenologists, literature lovers all. Captivated by their stories, she sets sail for Guernsey, and what she finds will change her forever.
In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-20th century to today, from Saul Bellow, Bernard Malamud, and Kafka to William Gass and Martin Amis, all assembled in provocatively named groups.
Everyone knows that if Scarlett O'Hara had an unlimited text-and-data plan, she'd constantly try to tempt Ashley away from Melanie with suggestive messages. If Mr. Rochester could text Jane Eyre, his ardent missives would obviously be in all-caps. And Daisy Buchanan would not only text while driving, she'd text you to pick her up after she totaled her car.
"Charming, Often Hilarious 2+ Hours!"
Jaclyn Johnson is back in an all-new, pulse-pounding adventure, and this time, the deck is stacked fully against her! It's the holidays, ex-FBI agent-turned-author Jack Henshaw has been kidnapped, and the secrets he holds has the government worried. Jaclyn - along with her British boy toy, Tom Messingham - are sent to Detroit, Henshaw's hometown, on Christmas Eve to begin their investigation. Things turn out not as they seem, and an ex-member of the Royal Canadian Mounted Police claims responsibility.
It sounds daunting: all those '-isms', long technical words, weird French thinkers and incomprehensible Germans. You can't read a book now a days, it seems, without being required to refer to them. From university students to the average intelligent reader, everyone is expected to justify their 'theoretical perspective'.
Professor Perl invites you in these eight lectures to abandon your preconceptions and consider some of the most controversial authors of the 20th century: the Modernists.Who were they? How did "classical" Modernists like Ezra Pound, T.S. Eliot, and James Joyce differ from "neo-Modernists" like Gertrude Stein and William Carlos Williams? What made them believe and write as they did? Why were political extremism, war, and self-destructive behavior such defining forces in their writing (and their personal demons)? What do they have to say to us today in the 21st century?These lectures place literary Modernism within the wide-ranging context of the philosophy, literature, politics, and morality of its time. In doing so, they allow you to look more clearly at the writers and works who have contributed to the definition of human culture. You'll see Eliot, Joyce, Pound, Yeats, James, Lawrence, and others spring to life with their radical beliefs about art and their unforgettable novels and stories. These lectures do not shrink from the challenges imposed by exploring Modernism, or from challenging the answers that scholars have routinely accepted. Nor do they shy away from the difficulties of literary Modernism itself; a literary genre that intimidates many. But despite all this, these lectures are brilliantly organized, crystal clear, and an invaluable tool for finally wrapping your brain around a dramatic roster of authors and an enduring canon of literature.
"Fine record of Perl's thinking"
Rescuing the subject from dry abstractions, Clare Connors focuses on the real questions that emerge when we read and study literature - such as how we find meaning and how literature relates to its historical context - before exploring the response of theorists. Using selections from works including poetry by Christina Rossetti and Annie Proulx's Brokeback Mountain, Connors unites theory with practice, revealing how enjoyable it is to think about reading.
"A "story" only in a narratological sense :-)"
Raised by vampyre relatives, Jane grows to resent the lifestyle's effect on her upbringing. No sunlight, nighttime hours, and a diet of bloody red meat is no way for a mortal girl to live. Things change for Jane when the ghost of her uncle visits her, imparts her parents' slayer history, and charges her with the responsibility of striking out to find others of her kind and learn the slayer ways.
Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as “Theory of Mind” and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson's Clarissa, Dostoyevsky's Crime and Punishment, and Austen's Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett's The Maltese Falcon.
"Theory of the Reader"
C. S. Lewis is the 20th century's most widely read Christian writer and J. R. R. Tolkien its most beloved mythmaker. For three decades they and their closest associates formed a literary club known as the Inklings, which met weekly in Lewis' Oxford rooms and a nearby pub. They read aloud from works in progress, argued about anything that caught their fancy, and gave one another invaluable companionship, inspiration, and criticism.
"A Thorough Moving Tribute"
Reconocido mundialmente como uno de los más importantes e influyentes del siglo XX, este escritor irlandés nacido en 1882, es mundialmente aclamado por su obra maestra, la espectacular y altamente simbólica Ulises (1922), y luego por su controvertida novela posterior, Finnegans Wake (1939).
"Arguably the most distinctive feature of the early Christian literature," writes Bart Ehrman, "is the degree to which it was forged." The Homilies and Recognitions of Clement; Paul's letters to and from Seneca; Gospels by Peter, Thomas, and Philip; Jesus' correspondence with Abgar, letters by Peter and Paul in the New Testament - all forgeries. To cite just a few examples.
"Probably a better read than a listen."
An astonishing collection of fifty of the greatest short stories ever written by some of literature's most highly acclaimed writers. 1. "Odour of Chrysanthemums" by D. H. Lawrence; 2. "Miss Harriet" by Guy de Maupassant; 3. "Twenty-six Men and a Girl" by Maxim Gorky; 4. "Hot Potatoes" by Arnold Bennett; 5. "Rats" by M. R. James; 6. "Zodomirsky’s Duel" by Alexandre Dumas; 7. "The Story of an Hour" by Kate Chopin; 8. "The Cask of Amontillado" by Edgar Allan Poe; 9. "The Encased Man" by Anton Chekhov.
John Charles Gilkey is an obsessed, unrepentant book thief who has stolen hundreds of thousands of dollars' worth of rare books from book fairs, stores, and libraries around the country. Ken Sanders is the self-appointed "bibliodick" (book dealer with a penchant for detective work) driven to catch him. Journalist Allison Hoover Bartlett befriended both eccentric characters and found herself caught in the middle of efforts to recover hidden treasure.
Hear rare recordings from five of the most-respected African American poets reading their own works: Langston Hughes, "The Negro Speaks of Rivers"; Arna Bontemps, "Nocturne At Bethesda"; Countee Cullen, "Heritage"; Gwendolyn Brooks, "The Vacant Lot"; and Sonia Sanchez, "Black Magic".