“It is a sin to write this. It is a sin to think words no others think and to put them down upon a paper no others are to see. It is base and evil.” Deep issues of conscience are explored in Ayn Rand’s dystopian tale of a man who dares to fight against a system that invades his very mind and identity.
"Too short but powerful!"
Rand's Protagonist, Equality 7-2521, describes a surreal world of faceless, nameless drones who "exist through, by and for our brothers who are the State. Amen." Alone, this daring young man defies the will of the ruling councils and discovers the forbidden freedoms that prevailed during the Unmentionable Times. In other words, he finds and celebrates the power of the self. In doing so, he becomes the prototypical Rand hero, a bold risk-taker who shuns conformity and unabashedly embraces egoism.
Ayn Rand’s dystopic science fiction novella takes place at some unspecified future date. Mankind has entered another dark age as a result of what Rand saw as the weaknesses of socialistic thinking and economics. Technological advancement is now carefully planned -- when it is allowed to occur at all -- and the concept of individuality has been eliminated.
"Scares me how real this book sounds"
This gripping tale of the future anticipates Ayn Rand's later masterpieces, The Fountainhead and Atlas Shrugged. In the dark ages of the future, individuals have no name, no independence, and no values. In this faceless world, one man dares to love the woman of his choice and to seek and find knowledge.
First published in 1937, this dystopian novella by Ayn Rand was conceived as a play when Ms. Rand was a teenager in Soviet Russia. Mankind has reached a dark age somewhere in the future. Individuality is a crime, and the word "I" does not exist. Men live for the good of their brothers. Equality 7 - 2521, seems, although he tries not to, to be continually breaking the rules.
In the beginning, it was just about the money. Then things got personal. This is the story that Ed Gradduk tells his best friend, private investigator Lincoln Perry. Ed is on the run, hiding from the police who are looking to arrest him for arson and murder. When Gradduk is killed in a brutal confrontation with the Cleveland police, Perry is shaken. How could this have happened to his friend? With his trademark grit and determination, Perry sets out to understand the forces that brought down Ed Gradduk.
"Another winner by Koryta and Brick"
February, 1940. After a decade of worldwide depression, World War II had begun in Europe and Asia. With Germany on the march and Japan at war with China, the global crisis was in a crescendo. America's top songwriter, Irving Berlin, had captured the nation's mood a little more than a year before with his patriotic hymn "God Bless America."
"Name-dropping history book (in a good way)"
Many of the novella's core themes, such as the struggle between individualism and collectivism, are echoed in Rand's later books, such as The Fountainhead and Atlas Shrugged. However, the style of "Anthem" is unique among Rand's work, more narrative-centered and economical, lacking the intense didactic expressions of philosophical abstraction that occur in later works.
"Short, Sweet, To The Point and VERY GOOD!"
In 1964, Martha and the Vandellas recorded "Dancing in the Street." at Motown's Hitsville USA Studio. By the summer, the sixties were in full swing. As the country grew more radicalized in those few months, "Dancing in the Street" gained currency as an activist anthem. Told by the writer who is legendary for finding the big story in unlikely places, Ready for a Brand New Beat chronicles that extraordinary summer of 1964 and showcases the momentous role that a simple song about dancing played in history.
"almost as good as the song"
Anthem has proven to be one of Ayn Rand's most enduring books. With this new guide, you can take your understanding of Anthem to a higher level. Included are: a biography of Ayn Rand, detailed chapter summaries and analysis, examination of the book's context and history, and much more in a concise and easy-to-understand format, making this the essential guide to help you navigate Ayn Rand's Anthem.
Released in 1974, Sweet Home Alabama has become synonymous with Southern rock. From its opening guitar riff, it is instantly recognizable, a raucous, irreverent defense of a Deep South state and its segregationist governor against the jabs of Neil Young. But the roots of Lynyrd Skynyrd's best-selling anthem go much deeper than regional pride or resentment of a fellow rocker.
>"The Cop and the Anthem" may be the third most widely read O. Henry story in grammar, middle, and high school. "The Ransom of Red Chief" rates number one, "The Gift of the Magi" number two, and "A Retrieved Reformation" number four. Young readers enjoy this story a lot because of the hilarious plot of Soapy, the only named character, trying to get arrested so he can spend the winter in jail. Adults tend to like the ironic approach of Soapy’s potential victims....
This is a story from the More Classic American Short Stories collection.
When Megan arrives on the cancer ward for her first treatment, she's frustrated to be on the pediatric unit. There's only one other teen there: Jackson Dawes. He's cute, rebellious…and obnoxiously charming. Megan can't stand the way he meets his illness with such positive energy. But when her own friends are scared off by her illness, Megan finds she doesn't really mind Jackson's playful antics. As they begin the tentative stirrings of first love, they also start the most aggressive round of treatments on their tumors. Can the power of first love overcome the heartbreak of cancer?
This short story by O. Henry depicts the plight of a homeless person, Soapy, living in New York at the turn of the last century. A park bench is fine during the summer, but winter comes and Soapy needs a winter home. God willing to pay the price of philanthropy, Soapy determines to spend the winter months in jail. Now the problem is how to be arrested.
"Health Insurer Anthem Hit by Hackers" is from the February 5, 2015 Business section of The Wall Street Journal. It was written by Anna Wilde Mathews, Danny Yadron and narrated by Ken Borgers.