Shhhhhh The Trekkies are Talking  By  cover art

Shhhhhh The Trekkies are Talking

By: Rukhsana Sukhan + Robert Pilkington + Lee Weissman
  • Summary

  • Space: the final frontier. These are the voyages of the Shhhhhh The Trekkies are Talking. Its mission: to explore the Star Trek canon, to seek out new interpretations of human spirituality, to boldly go where no one has gone before!

    Lee Weissman aka the Jihadi Jew joins Roxanne and Robert for a episodic recorded discussion about Star Trek and spirituality.

    Rukhsana Sukhan + Robert Pilkington
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Episodes
  • Cybermen
    May 22 2024

    The episode explores the themes of technology, body modification, and the concept of self. The participants discuss the history of technology in literature and media, such as the Cybermen and the Borg. We also touch on the idea of choice in body modification and the implications of affirming someone's self-perception. Our conversation raises questions about the future of human evolution and the potential impact of technology on society. We explore the dilemma of movements and how they start out as innovative and liberating but eventually become regimented and oppressive. Our discussion touches on the fear of uniformity and the desire for individuality. The themes of human vulnerability and the power of emotions are also explored, as well as the fascination with technology and the fear of our own creations rebelling against us.

    The audio may be wonky at points and you might here an echo.

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    1 hr and 1 min
  • Spaceman and Primordial Spiders
    May 22 2024

    In this episode we talked about Spaceman, the movie. We explores the fear and cultural perception of spiders, as well as personal experiences and beliefs about them. The symbolism of the spider as a weaver and un-weaver, and its connection to the self and creation, is discussed. The spider is seen as a representation of loneliness and vulnerability, and the journey of confronting and embracing the shadow self is explored. The blurring of reality and fantasy, as well as the exploration of other spider stories, adds depth to the conversation. The themes of separation and doomed love are also touched upon, along with an unresolved storyline involving the protagonist's father. In this episode, we discuss various themes and symbols in the movie. We explore unanswered questions and cut scenes, the symbolism of water, Jakub's father and sins, the spider and naming things, realizing the limits of understanding, love and deserving, disorientation and growth, feeling cut off and alone, being saved by the enemy, the value of pain and needing a mate, spinning and letting things settle, radical ways of dealing with emotions, being at the edge of the universe, the connection and beginning of love, and sending a single human being to the edge of the universe.

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    51 mins
  • S1E4: The Borg Queen
    Mar 13 2024

    Summary

    In this conversation, we discuss the film 'Spaceman: No Way Home' and explore themes of reality, perception, and symbolism. We also delve into the portrayal of alienation and the profound impact of the film. The conversation then shifts to the challenges of finding good films and the fascination with actress Isabella Rossellini. We analyze the character of the Borg Queen in 'Star Trek: First Contact' and discuss the reversal of assimilation. The conversation concludes with a discussion on the hive mind and the origin of events. The conversation explores the banal beginning and ongoing nature of the Borg's destructive force. It draws historical parallels to civilizations like the Syrians and discusses the fall of the Borg. The concept of distinctiveness and assimilation is examined, along with the influence of Quebec's distinctiveness on the rest of Canada. The conversation also delves into the mystery of the Borg Queen and her role as an avatar of collective intelligence. The possibility of multiple queens and alternate timelines is considered. In this conversation, we discuss the character of the Borg Queen in Star Trek. We explore the mystery surrounding her origins and her role as the ruler of the Borg collective. We also delve into the inescapable influence of the Borg on individuals, particularly focusing on Picard's trauma and altered state. We contemplate the idea of the Borg Queen as a chosen one or consort, and discuss her horrifying and mysterious nature. We also touch on the themes of love and deception in relation to the Borg Queen. Finally, we reflect on the non-linear storytelling in the film and the value of multiple viewings.

    Takeaways

    • Films like 'Spaceman: No Way Home' and 'Star Trek: First Contact' explore themes of reality, perception, and symbolism.
    • The portrayal of alienation and the profound impact of a film can evoke deep emotions and introspection.
    • Finding good films can be challenging, but when a film resonates, it can create a memorable experience.
    • The character of the Borg Queen in 'Star Trek: First Contact' raises questions about the origins and nature of the Borg collective. The Borg's destructive force is comparable to historical civilizations like the Syrians.
    • Distinctiveness and assimilation are key themes in the Borg narrative.
    • Quebec's distinctiveness has had an impact on the rest of Canada.
    • The Borg Queen is a mysterious figure and an embodiment of the collective's intelligence. The Borg Queen is a mysterious and powerful character in Star Trek, with origins and motivations that are not fully explained.
    • The influence of the Borg is inescapable, even for those who have been liberated from their control.
    • Picard's encounter with the Borg has left him traumatized and forever altered, with a constant reminder of his past experiences.
    • The Borg Queen may be seen as a chosen one or consort, with a unique role in the collective.
    • The Borg Queen is both horrifying and seductive, with a power that comes from her ability to still chaos.
    • Love can blind even the most powerful beings, as seen in the deception of the Borg Queen.
    • The non-linear storytelling in the film allows for a fragmented and immersive experience, requiring multiple viewings to fully appreciate.
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    1 hr and 5 mins

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