Even before Beyoncé kicked off her solo career, it was clear that she was a legend-in-the-making. As the de facto leader of Destiny's Child, she was a guiding light for the girl group and helped shepherd them to stardom in both the pop and R&B spaces. The group was at their height (and still very much together) as she launched her solo career, first with "Work It Out" for the Austin Powers in Goldmember soundtrack but with more gusto on "Crazy in Love.

"Crazy in Love" served as the lead single for Beyoncé's debut solo album Dangerously in Love. The song was written in two hours and became a Number One hit the same week Dangerously in Love topped the albums chart. Beyoncé has developed significantly as an artist since then with her last two albums, Renaissance and Cowboy Carter, being prime examples of how she’s still growing and finding new ways to master her artistry even two decades after the world first got a taste of who Beyoncé was on her own.

On this week’s episode hosts Rob Sheffield and Brittany Spanos discuss Beyoncé's career trajectory and how the superstar ended up being the youngest artist with the most entries on the 500 Greatest Songs of All Time List. Later in the episode, they are joined by their Rolling Stone colleague Mankaprr Conteh to dig into the star's artistry and appreciation for Black music history, which she continues to embed in all her work.

See omnystudio.com/listener for privacy information.

Kate Bush has always been a fiercely original art-pop icon. But with “Running Up That Hill,” she achieved a new kind of feat. “Running Up That Hill” was a massive Top Ten hit, dominating U.S. radio all over the summer of 2022—even though it was a song she released back in 1985. Her classic synth-goth anthem sounded ahead of its time in the Eighties, but only Kate Bush could make it a song that STILL sounds ahead of its time nearly 40 years later.

In this week’s episode of Rolling Stone’s 500 Greatest Songs, hosts Brittany Spanos and Rob Sheffield discuss the long, incredible legacy of Kate Bush and “Running Up That Hill.” They’re joined by their brilliant Rolling Stone colleague Julyssa Lopez, a Kate Bush expert and longtime hardcore fan, to discuss why “Running Up That Hill” speaks to our moment.

See omnystudio.com/listener for privacy information.

Taylor Swift knows a thing or two about swerving when her listeners and detractors least expect it, but nothing could prepare anyone for her total abandonment of country music on her 2014 album 1989. Sure, she had teased some Max Martin-assisted pop hits on her previous album Red, but 1989 was a total 180 from the country starlet's past, trading her teardrop-soaked guitar for sassier synths instead.

On this week's episode of Rolling Stone's 500 Greatest Songs, hosts Rob Sheffield and Brittany Spanos discuss the crown jewel of the 1989 album, "Blank Space". While lead single "Shake It Off" was an empowering kiss-off to the haters, its follow up was an unexpected satirization of Swift's public image at the time as a "maneater" for her romances with famous men and ensuing songs about their times spent together.

Swift fits back against sexist criticism of her writing "too many break-up songs" and her dating habits with this ferociously catchy track that highlights her sense of humor and wit, all while helping break free a bit more from her "girl next door" image. Later in this episode our hosts are joined by their colleague and Rolling Stone Music Now host Brian Hiatt to dig into just how big of a risk her pop pivot had been, as well as explore what makes this song so great and how it shifted Swift's sound and lyricism for the better.

See omnystudio.com/listener for privacy information.