"One of Russia's most interesting young novelists takes on Putin, poison and power in this unique novel; Lebedev provides a fascinating window on modern Russia."
―Anne Applebaum, Pulitzer Prize-winning author of Gulag: A History and Iron Curtain: The Crushing of Eastern Europe

In 2018, a former Russian secret agent and his daughter were poisoned with a lethal neurotoxin that left them slumped over on a British park bench in critical condition. The story of who did it, and how these horrendous contaminants were developed, captivates and terrifies in equal measure. It has inspired acclaimed author Sergei Lebedev’s latest page-turning novel. At its center is a scheming chemist named Professor Kalitin, obsessed with developing an absolutely deadly, undetectable and untraceable poison for which there is no antidote. He becomes consumed by guilt over the death of his wife, the first accidental victim of his Faustian pact to create the ultimate venom, and the deaths of hundreds of test subjects. After he defects from the Soviet Union to spend his “retirement” years in the West, two Russian secret agents are dispatched to assassinate him. In this fast-paced, genre-bending novel, Lebedev weaves tension-filled pages of stunningly beautiful prose exploring the historical trajectories of evil. From Nazi labs, Stalinist plots, the Chechen Wars, to present-day Russia, Lebedev probes the ethical responsibilities of scientists supplying modern tyrants and autocrats with ever newer instruments of retribution, destruction and control. Lebedev, one of Russia’s most important and exciting writers, has never been better.

In the spring of 2016 travel writer Jeremy Seal went to Turkey to investigate perhaps the most dramatic, revealing and little-known episode in the country's history - the 'original' coup of 1960, which deposed the traditionalist Prime Minister Adnan Menderes. The story of Menderes - to his adoring supporters the country's founding democrat; to his sworn enemies its most infamous traitor - goes to the heart of the feud that continues to rage between the Western and secular ambitions of a minority elite and the religious and conservative instincts of the small-town majority. A Coup in Turkey is a thrilling account of the events leading up to the coup and the trials and executions that followed, a story of political subterfuge and score-settling, courtroom drama, state execution, authoritarian intolerance and ideological division.

Seal travels through President Erdogan's Turkey, tracking down eye-witness accounts from survivors of the Menderes era in Istanbul, the historic metropolis, and the new capital at Ankara. As he expertly guides us through this extraordinary story, so the compelling parallels between past and present become strikingly clear, and he illuminates this troubled nation with a deep sympathy and love for the people and places he writes about. By focussing on one key event - one which many Turks regard with shame - this evocative, gripping portrait of Turkey recentres our understanding of the past and makes sense of one of Europe's most bewildering yet intriguing neighbours.

By the award-winning writer of Beautiful Thing, a masterly inquest into how the mysterious deaths of two teenage girls shone a light into the darkest corners of a nation.

The girls' names were Padma and Lalli, but they were so inseparable that people in the village called them Padma Lalli. Sixteen-year-old Padma sparked and burned. Fourteen-year-old Lalli was an incorrigible romantic.

They grew up in Katra Sadatganj, an eye-blink of a village in western Uttar Pradesh crammed into less than one square mile of land. It was out in the fields, in the middle of mango season, that the rumors started.

Then one night in the summer of 2014 the girls went missing; and hours later they were found hanging in the orchard. Who they were, and what had happened to them, was already less important than what their disappearance meant to the people left behind.

In the ensuing months, the investigation into their deaths would implode everything that their small community held to be true, and instigate a national conversation about sex and violence. Slipping deftly behind political maneuvering, caste systems and codes of honor in a village in northern India, The Good Girls returns to the scene of Padma and Lalli's short lives and shameful deaths, and dares to ask: what is the human cost of shame?